Chris Kondek's plays including biography, theatres, agent, synopses, cast sizes, production and published dates
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Interacting with the smartphones of the audience in sometimes disturbing ways, the company occupy two arches with an installation that bristles with technology but is often at its best when it is simplest. At heart a disturbing wake-up call about how we are all tracked and monitored in every moment of our lives, and collude surprisingly willingly in this surveillance, it employs classical myth and archive footage (particularly amusingly of a young Steve Jobs) in a cabaret that is as seductive as it is scary - Keith Bruce
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