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Tracey Scott Wilson

TRACEY SCOTT WILSON  

Nationality:    USA
email:    n/a     Website:    n/a

Literary Agent:    Abrams Artists Agency  


Tracey Wilson was born and raised in Newark, New Jersey. She received a B.A. from Rutgers University and an M.A. from Temple University. While at Temple she wrote a satiric novel entitled I Don't Know Why That Caged Bird Won't Shut-Up.After receiving 28 rejections for that novel in one day, she developed writer's block for one year. To combat this block, Ms. Wilson took a playwriting class at the 63rd Street YMWCA in New York City. The following year she won a Van Lier Playwriting Fellowship from the New York Theatre Workshop. In September 2000, Theatre Outrageous produced her first play, Exhibit 9, an outrageous satire greatly influenced by George C. Wolfe's Colored Museum. In April of that same year, New Georges Theatre produced her second full-length play,Leader of the People. She received the Helen Merrill Award for Emerging Playwrights and was a finalist for the Susan Smith Blackburn Award for her latest play,The Story. The Joseph Papp Public Theatre is producing The Story in December 2003.

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below is a list of Tracey Scott Wilson's plays - click on a Play Title for more information

Exhibit 9         Fairy Tale         Good Negro, The         Leader of the People         Neon Mirage         Neon Mirage         Order My Steps         Small World         Story, The



Exhibit 9

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Genre:
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Fairy Tale

Synopsis:
A satire of Walmart/Kmart/mall shopping culture -- what happens when a giant corporation makes you an offer you can't refuse?

Notes:
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1st Produced:
Guthrie Theater (Guthrie Experience actor training program) (Minneapolis, MN, United States)    2002

Company:
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1st Published:
Playscripts, Inc - New York   -

Music:
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To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
10-15 min Satire

Parts:
Male:  1            Female:  1            Other:  1 male, 1 female

Further Reference:
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Good Negro, The

Synopsis:
In The Good Negro, a trio of emerging black leaders tries to conquer their individual demons as the local KKK fights for its old way of life and everyday black men and women must overcome their fears-all under the ever-watchful eye of the FBI.
- press release

Notes:
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1st Produced:

Company:
part of the new Public LAB Series

1st Published:
Dramatists Play Service, NY, 2010   -

Music:
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To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
Play/Drama

Parts:
Male:  7            Female:  2            Other:  -

Further Reference:
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Leader of the People

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To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
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Parts:
Male:  -            Female:  -            Other:  -

Further Reference:
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Neon Mirage

Synopsis:
38 million people visit Las Vegas every year for the glitz, the tits and the gold. But what's it like to live and work in America's Disneyland for grown-ups? Could you tell what's real and what's just a mirage?

Notes:
written by Liz Duffy Adams, Dan Dietz, Julie Jenson, Lisa Kron, Tracey Scott Wilson And Chay Yew, Music And Lyrics by Rick Hip Flores. VENUE 5: Henry Street Settlement - Harry de Jur Playhouse

1st Produced:

Company:
The 2006 Apprentice Company from Actors Theatre of Louisville

1st Published:
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Music:
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To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

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Genre:
Comedy Musical Musical

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Male:  -            Female:  -            Other:  -

Further Reference:
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Neon Mirage

Synopsis:
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1st Produced:
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Company:
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1st Published:
Playscripts, Inc - New York   -

Music:
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To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
Various

Parts:
Male:  -            Female:  -            Other:  Various

Further Reference:
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Order My Steps

Synopsis:
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Music:
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To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
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Parts:
Male:  -            Female:  -            Other:  -

Further Reference:
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Small World

Tracey Scott Wilson
Six people go on three different blind dates, all of them unfolding simultaneously, with many unexpected interconnections emerging along the way.

Notes:
Guthrie Experience Actor training program

1st Produced:
Guthrie Theater (Guthrie Experience actor training program) (Minneapolis, MN, United States)    Jul 2001

Company:
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1st Published:

Music:
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To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
10-15 min Comedy

Parts:
Male:  3            Female:  3            Other:  -

Further Reference:
-

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Story, The

Synopsis:
An ambitious black newspaper reporter, Yvonne Wilson, goes against her editor, Pat Morgan, to investigate a murder and finds the BEST story. . .but at what cost? Wilson explores the elusive nature of truth as the boundaries between reality and fiction, morality and ambition become dangerously blurred.

Notes:
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1st Produced:
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1st Published:
Dramatists Play Service, NY, 2004   -

Music:
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To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
Play/Drama

Parts:
Male:  2            Female:  7            Other:  doubling, flexible casting

Further Reference:
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Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.