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PERRI YANIV (1981 - ) |
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Nationality: USA/Israel Email: Click here to contact Website: Click here to visit |
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Literary Agent: Archer King Ltd |
Born and raised in New York City, Perri Yaniv graduated from Wesleyan University with a double major in Sociology and Theater (High Honors and Henderson Prize recipient) in 2004. In addition to Word Infirmia, Perri Yaniv has been a part of the creation of several devised and ensemble-based theatre pieces, including "Pornographic Angel" (with Claudia Tatinge Nascimento, Alex Ladd and Tantrum Theatre; based on Nelson Rodrigues' short stories), "Times 365:24:7" (with Bone Orchard; based on news media cycles), and "In Case You Missed the Rapture" (upcoming, with Co-Op Theatre East). As an actor, Perri Yaniv has also appeared Off-Broadway in The Dybbuk, Blood Wedding (Marvell Rep), No Exit, A Doll's House, Schadenfreude! The Asshole Differential, and the full production of American Opera Projects' Darkling, based on the poem by Anna Rabinowitz.
Plays by Perri Yaniv
Word Infirmia: The Criminal Perspectives Project | ||
| 1st Produced: | 12 Aug 2005 | |||||
Company: | The Black Cat Group | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #17879 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Solo Documentary Performance | |||||
| Parts: | Male | 1 | Female | - | ||
Parts other: | - | |||||
Notes: | The material-simple responses to simple questions-is utterly illuminating and real. While it may not be surprising, it breathes flesh and blood into our ideas of truth and personal responsibility. From Julie Blumenthal's nytheatre.com review, August 2005. | |||||
Synopsis: | Using transcripts from his 2003 Criminal Perspectives project interviews, Perri Yaniv creates a constantly morphing discussion about how crime is defined by incarcerated men and women, ex-cons, police officers, administrators and victims. | |||||
Further Reference: | - | |||||
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