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DIZ WHITE |
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Nationality: n/a Email: n/a Website: n/a |
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Literary Agent: n/a |
Please send me a biography and information about this Playwright
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Plays by Diz White |
Bullshot Crummond | ||
| 1st Produced: | Greenwich Theatre London | 1972 | ||||
Company: | n/a | |||||
| 1st Published: | ISBN/ASIN: | - | ||||
| Music: | - | doollee no | #96257 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Comedy | |||||
| Parts: | Male | 3 | Female | 2 | ||
Parts other: | - | |||||
Notes: | written by Ron House, Diz White, Alan Shearman, John Neville Andrews and Derek Cunningham. Original sound cues available for rental from www.lowmoan.com | |||||
Synopsis: | This parody of low budget 30s detective movies typifies British heroism. Teutonic villain Otto von Brunno and his evil mistress crash their plane in the English countryside and kidnap Professor Fenton who has discovered a formula for making synthetic diamonds. Bullshot Crummond is called to the rescue. Otto paralyzes Crummond with a fiendish ray. He rams a stick of dynamite in Crummond's mouth which will explode when the next person enters the room. Rosemary enters, but the static electricity in her fur wrap averts the detonation. They pursue in a hair raising car chase, but plunge over a cliff. They sneak into the dungeons where the professor is being tortured, but Crummond hopelessly loses the ensuing saber duel. Unperturbed, Crummond finally triumphs by shooting the rest of the cast. | |||||
Further Reference: | - | |||||
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El Grande de Coca-Cola | ||
| 1st Produced: | 1971 | |||||
Company: | Low Moan Spectacular | |||||
| 1st Published: | ISBN/ASIN: | - | ||||
| Music: | - | doollee no | #96261 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Comedy Musical | |||||
| Parts: | Male | 3 | Female | 2 | ||
Parts other: | - | |||||
Notes: | written by Ron House, Diz White, Alan Shearman and John Neville-Andrews. Musical Arrangements by Alan Shearman and John Neville Andrews. Original sound cues available for rental from www.lowmoan.com | |||||
Synopsis: | A simple show that is laugh-a-minute and ridiculously wonderful! The action takes place in a terrible part of Trujillo, in a nightclub, which isn't too far from terrible itself. A local impresario, Senor Don Pepe Hernandez, has announced in the local newspapers that he is going to bring international cabaret to Trujillo. Eventually he succeeds, and we see the cabaret within the cabaret as it unfolds. A company known as the "Low Moan Spectacular' causes all the laughs, as conjuring tricks don't work, people trip up, a blind American folk singer falls off the stage, chorus girls collide, etc. | |||||
Further Reference: | - | |||||
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Footlight Frenzy | ||
| 1st Produced: | Marines Memorial Theatre San Francisco | 1981 | ||||
Company: | n/a | |||||
| 1st Published: | ISBN/ASIN: | - | ||||
| Music: | - | doollee no | #96258 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Comedy | |||||
| Parts: | Male | 4 | Female | 2 | ||
Parts other: | - | |||||
Notes: | written by Ron House, Diz White, Alan Shearman and Bud Slocomb, Based on "Fleeting Moment' by House, White, Shearman, Mark Blankfield, Brandis Kemp and Mitchell Kreindel. Original sound cues available for rental from www.lowmoan.com | |||||
Synopsis: | In a desperate attempt to save their bankrupt "School for Unusual Children", an inexperienced PTA group valiantly mounts an ambitious benefit play, written by a has been Broadway director. His near hysterical direction and the group's questionable talent turn the production into a shambles. The scenes shift back and forth from the real tribulations of the performers to the play they are "performing", and it is hard to tell which is sillier. This is fast and furious theatrical fun of the first order, with us watching the fun from the "back" of the stage! | |||||
Further Reference: | - | |||||
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