ANNIE WEISMAN
| Nationality: | n/a |
| Literary Agent: *: | |
| Email: | n/a |
| Website: | n/a |
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Plays by Annie Weisman
Be Aggressive |
| 1st Produced: | Playhouse, La Jolla, CA | 2001 | ||
| Company: | - | |||
| 1st Published: | Dramatists Play Service, NY | - | ||
| To Buy This Play: | If the Publisher (above) is underlined then the play may be purchased direct, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||
| Genre: | - | Play/Drama | Parts: | Male | 1 | Female | 4 |
| Parts Other: | extras | |||
Notes: - | ||||
Synopsis: Vista Del Sol is paradise. Sandy beaches. Avocado-lined streets. But for seventeen-year-old cheerleader Laura, everything changes when her mother is killed in a car crash, and she is thrust into the role of caregiver for her precocious younger sister, Hannah, and her brittle father, Phil. Escape comes in the form of a ferocious fellow cheerleader. Leslie has a brochure about the Spirit Institute of the South, a two-week intensive where they can learn real cheer, the kind with Bible belt intensity. All they need is two weeks and a thousand bucks. Leslie gets her money easily, manipulating her overwrought single mother, Judy. But Laura has it harder. Her father is a consultant on a new and controversial freeway project, and he needs her home, taking care of Hannah. Desperate, Laura finally steals the money, and she and Leslie sneak off. Armed with only a Mobil card, the girls must face the open road together while a frantic Phil and Judy must cope with missing daughters. Once a part of the freeway protests, Jud | ||||
Hold Please |
| 1st Produced: | - | - | ||
| Company: | - | |||
| 1st Published: | Dramatists Play Service, NY | - | ||
| To Buy This Play: | If the Publisher (above) is underlined then the play may be purchased direct, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||
| Genre: | - | Comedy | Parts: | Male | - | Female | 4 |
| Parts Other: | - | |||
Notes: - | ||||
Synopsis: No men are onstage, but their presence is felt everywhere in this office comedy for the new millennium. Two generations of women, career secretaries in their forties and entry-level assistants in their twenties, gather in the break room for a Heart Talk-an emotional tribunal designed to record and report evidence of sexual harassment. Leading the charge is Agatha, a bitter old secretary determined to bring the badly behaving bosses to justice and to institute a purely professional environment. As soon as the meeting breaks up, however, we learn that one of the young assistants, Erika, is carrying on an affair with Solomon, the oldest and most revered of the bosses. Soon, the Heart Talks have a measurable effect. Xavier, one of the partners, gets dismissed for sexual harassment. Only Erika knows that he has been wrongly targeted. Agatha and her fellow longtime secretary Grace enjoy a certain pride in their ability to affect change in the company. They seem to have an ally in Jessica, the other young secretary, | ||||
Snapshot |
| 1st Produced: | 2002 | |||
| Company: | - | |||
| 1st Published: | Humana Festival 2002: The Complete Plays, ed Tanya Palmer & Amy Wegener, Smith & Kraus | 2002 | ||
| To Buy This Play: | If the Publisher (above) is underlined then the play may be purchased direct, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||
| Genre: | Drama/Comedy | - | Parts: | Male | 11 | Female | 11 |
| Parts Other: | - | |||
Notes: by Tanya Barfield, Lee Blessing, Michael Bigelow Dixon, Julie Jensen, Honour Kane, Sunil Kuruvilla, David Lindsay-Abaire, Victor Lodato, Quincy Long, Deb Margolin, Allison Moore, Lynn Nottage, Dan O'Brien, Val Smith, Annie Weisman, Craig Wright and Chay Y | ||||
Synopsis: A photograph captures and documents a single moment in time and space -- a snapshot of history, of a reality bounded by the photo's frame. But what lies outside, beyond, behind the photograph? And what stories, memories, or associations does an image of place inspire? In this multi-writer project from Actors Theatre of Louisville, a diverse assortment of talented playwrights encounter and transform Mount Rushmore, South Dakota, 1969, a compelling image of the monument by renowned photographer Lee Friedlander. Their thought-provoking scenes and monologues range from delightful comedy to utterly serious tragedy, each approaching the photo's themes through a new lens. | ||||
Thrift of the Magi |
| 1st Produced: | 2002 | |||
| Company: | - | |||
| 1st Published: | Playscripts, Inc | 2003 | ||
| To Buy This Play: | If the Publisher (above) is underlined then the play may be purchased direct, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||
| Genre: | - | Comedy | Parts: | Male | 1 | Female | 1 |
| Parts Other: | - | |||
Notes: Running time: 5-10 | ||||
Synopsis: Trey and Tina search for the perfect ironic-retro-tourist-vintage-party clothes, only to discover each other's secret sacrifices. | ||||