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Gwendolyn Warnock

GWENDOLYN WARNOCK  

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below is a list of Gwendolyn Warnock's plays - click on a Play Title for more information

 Baby Universe

Baby Universe

Synopsis:
Wakka Wakka will present the U.S. premiere of its latest original theatre piece entitled Baby Universe (A Puppet Odyssey), written and directed by Wakka Wakka members Kirjan Waage and Gwendolyn Warnock, featuring over 30 expressive hand-and-rod puppets created by Mr. Waage. Scientists in Japan and Switzerland currently believe that they can create "micro black holes" and "baby universes." If and when these scientists succeed, it will provide an immeasurable challenge to the widespread belief that only God has had the ability to create life and the world as we know it. Baby Universe takes place in a time where this has happened. On the brink of their destruction the last inhabitants of a doomed "earth" furiously search for an escape from the dying sun. In a race against the clock, scientist-generated baby universes are being placed in the care of lonely spinsters in the hope that one might nurture to maturity a saviora baby universe capable of birthing a planet that can support the relocation of the entire population. Baby Universe will tackle profound questions in science, religion, and morality. It will also investigate the increasingly topical theme of "what are we doing to our home?"
- nytheatre.com

Notes:
written by Kirjan Waage And Gwendolyn Warnock

1st Produced:
Baruch Performing Arts Center
55 Lexington Avenue, New York, NY 10010    05 Dec 2010

Company:
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1st Published:
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Music:
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Genre:
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Parts:
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Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.