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Last Updated: 21 Jan 12

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Christine Voskovec

CHRISTINE VOSKOVEC   

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Literary Agent:  n/a

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Plays by Christine Voskovec

CHRISTINE VOSKOVEC

Cat On The Rails

1st Produced:

Theatre Beyond the Gate, Prague

1964

Company:

Divadlo za branou

1st Published:

Nick Hern Books, London, 1984

ISBN/ASIN:

-

Music:

-

doollee no

#35723

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Play/Drama Translation

Parts:

Male

1

Female

4

Parts other:

-

Notes:

Original Playwright - Josef Topol, translated by George and Christine Voskovec

Synopsis:

two lovers wait for a train that never comes, mirroring the situation in Czechoslovakia before 1989

Further Reference:

-


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CHRISTINE VOSKOVEC

Nightingale for Dinner

1st Produced:

Theatre Beyond the Gate, Prague

1965

Company:

Divadlo za branou

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#110879

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

One Act Translation

Parts:

Male

3

Female

2

Parts other:

-

Notes:

Original Playwright - Josef Topol, translated by George and Christine Voskovec

Synopsis:

A one-act play, Vaclav Havelīs favourite of his friendīs works. It is normally classified as belonging to the works of Czech absurd theatre. A family supper, to which Mr. Nightingale has been invited, has as tragic an end for the guest as the life of every man. It is only the prospect of death which gives life meaning. . .or vice versa. Every speech in Topolīs black comedy acquires existential dimensions - a method reminiscent of Kafka, Pinter and Beckett. When it was first produced in 1967, the play did not meet with great critical enthusiasm. The ensuing period of censorship did not allow Nightingale for Supper to become an inspiration for other playwrights.

Further Reference:

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