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CALLA VIDET |
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Nationality: n/a Email: n/a Website: n/a |
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Literary Agent: n/a |
Please send me a biography and information about this Playwright
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Plays by Calla Videt |
Hold Music | ||
| 1st Produced: | The Living Theatre | 12 Mar 2011 | ||||
Company: | Pegleg Productions | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #125814 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | 80 min symphonic story | |||||
| Parts: | Male | 4 | Female | 2 | ||
Parts other: | - | |||||
Notes: | writen by Calla Videt and B. Walker Sampson | |||||
Synopsis: | A symphonic story about the way people listen to each other and to the world around them, Hold Music takes us on a journey into the musical world of speech and memory, language and thought. Drawing upon live music, video, movement, and text to tell intertwined and parallel stories, the performance begins with the question: Why and how does music make us feel? How do things get stuck in our head? | |||||
Further Reference: | - | |||||
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One Arm and a Leg | ||
| 1st Produced: | Theater for the New City | 25 Aug 2010 | ||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #118780 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | 80 min Piece | |||||
| Parts: | Male | - | Female | - | ||
Parts other: | - | |||||
Notes: | written by Calla Videt and Jesse Barron | |||||
Synopsis: | This show is part of the Dream Up Festival. This is the official blurb: Inspired by Yasunari Kawabata's "One Arm," One Arm and A Leg is a devised work which combines dance and theater and begins with a set of encounters in which a woman decides to give parts of herself-her arm, her phone number, her leg, her identity-to a stranger, a man. This incites a search for things given, received, and lost. The project deals with themes of cultural translation, personal agency, sexuality, and self-sacrifice through text, movement, and image. | |||||
Further Reference: | - | |||||
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that time, and the time before that, and | ||
| 1st Produced: | Dixon Place | 30 Sep 2011 | ||||
Company: | SIGHTLINE creates | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #132623 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | 60 min piece | |||||
| Parts: | Male | 5 | Female | 3 | ||
Parts other: | - | |||||
Notes: | Author: B. Walker Sampson, James Morris, and Calla Videt | |||||
Synopsis: | Things do not 'just happen.' Time does not just pass. that time, and the time before that, and intertwines independent stories of time travelers who eventually meet one another at the end of time. Someone wants to remember. Someone wants to forget. A series of relativistic twists and turns and a couple of time machines later, they find themselves in a new landscape of time. The project explores the beautiful paradoxes of memory, identity, regret and time travel through puppetry, dance, text, and image. | |||||
Further Reference: | - | |||||
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Untitled Project | ||
| 1st Produced: | Gene Frankel Theatre, 24 Bond Street, New York, NY 10012 >>> | 04 Jun 2010 | ||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #115197 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Play/Drama | |||||
| Parts: | Male | - | Female | - | ||
Parts other: | - | |||||
Notes: | - | |||||
Synopsis: | This show is part of the Planet Connections Theatre Festivity. This is their official description: A group of people are in a theater. An idea takes hold. Someone stops sleeping. Someone stops eating. Someone stops speaking. Someone tries to say something important. For what? For art. For whom? For you. At whose expense? The silent one's. | |||||
Further Reference: | - | |||||
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Vanishing Print | ||
| 1st Produced: | New Perspectives Theatre | 20 Sep 2010 | ||||
Company: | New Perspectives Theatre Company | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #119387 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | short satire | |||||
| Parts: | Male | - | Female | - | ||
Parts other: | - | |||||
Notes: | Part of In The papers! This is a mini-festival of four new short plays by women writers. NPTC's award-winning Women's Work Project returns with the fruits of this year's LAB. Artistic director Melody Brooks asked new members to take on the theme of In the Papers! This choice takes into account the increasing media frenzy of 24-hour news channels, the blogosphere, and endless Facebook and Twitter updates as well as the recent Arizona "Papers Please" law. Each writer found her own take on this theme-from literal perspectives to more metaphorical explorations of what it means to be "without papers." | |||||
Synopsis: | forecasts what a loss of paper might mean to language and our ability to communicate with future generations. | |||||
Further Reference: | - | |||||
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