doollee banner

Last Updated: 19 Sep 11

contact doollee


Google
web doollee.com


Click on a Play title below for more information

Temar Underwood

TEMAR UNDERWOOD   

Nationality:   USA    Email:   n/a   Website:   n/a

Literary Agent:  n/a

Please send me a biography and information about this Playwright
xxx doollee

Plays by Temar Underwood

Brokenhearteds, The

1st Produced:

Wings Theater, 154 Christopher Street, Basement, New York, NY 10014 >>>

11 Sep 2009

Company:

n/a

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#103517

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Play/Drama

Parts:

Male

4

Female

1

Parts other:

-

Notes:

-

Synopsis:

Peter Graves has been hired as the author of a daily politics blog in the midst of a contentious presidential election. His friend, Ezra, an aide to the President, leaks information to him about a Pakistani man called Mu'Awiyah Fareed that could change the course of the election and history. His new girlfriend, Halle, has thrust him into an agonizing and complicated love triangle with her ex-boyfriend Milan. And God has begun to speak to him in his dreams. Peter and those around him must find the purpose in their ambitions to shine a generation's light on the world. . .lest they be left brokenhearted
- press release

Further Reference:

-


Top of Page Top of Page


Lady Drug Dealer and the Heist

1st Produced:

New York International Fringe Festival

Aug 2011

Company:

I Mean Productions

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#128568

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

1h 30m Comedy Drama

Parts:

Male

-

Female

-

Parts other:

-

Notes:

www.theladydrugdealer.com

Synopsis:

Three incompetent drug dealers have snorted all the coke they were supposed to sell. Now their boss wants her money. The solution - rob a bank&.

Further Reference:

-


Top of Page Top of Page


Buy Plays with Doollee

Each page of doollee.com has links to play/book outlets, either directly to the Publisher, through Stageplays.com and Amazon to the second hand and 1st editions of AbeBooks. These links will automatically take you to the relevant area obviating the need for further search.




We add submitted information to the site daily and all contributions we receive help make this the most meaningful and definitive guide to modern playwrights in the world. So whether you are a Playwright who wishes to make their entry definitive, an unlisted Playwright or a User with a tale to tell - we want to hear from you.










Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.