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NAT TARRAB |
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Nationality: n/a Email: n/a Website: n/a |
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Literary Agent: n/a |
Please send me a biography and information about this Playwright
xxx doollee
Plays by nat tarrab |
27 Ways I Will Never Fuck My Mother | ||
| 1st Produced: | Battersea Arts Centre, London | 2008 | ||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #87535 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | n/a | |||||
| Parts: | Male | 1 | Female | 1 | ||
Parts other: | - | |||||
Notes: | Written by Rachel Mars and Nat Tarrab | |||||
Synopsis: | Will having sex with all the teachers at school make you a teacher's pet? Is 5' 3" two inches too tall to be a Jew? | |||||
Further Reference: | - | |||||
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Tomboy Blues: Theory of Disappointment | ||
| 1st Produced: | Charing Cross Theatre (formerly New Players Theatre) | 19 Mar 2010 | ||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #133882 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | piece | |||||
| Parts: | Male | 1 | Female | 1 | ||
Parts other: | - | |||||
Notes: | Written and performed by Rachel Mars and nat tarrab | |||||
Synopsis: | Acclaimed live artists and performance makers Rachel Mars and nat tarrab go on a quest from glass blowing warehouses to supermarket aisles, from a female boot camp to the scripts of When Harry Met Sally to see where love can exist when you cant even find yourself. Is hope worthwhile? Is life ultimately disappointing? Come and learn the brace position against the inevitable by-products of human existence | |||||
Further Reference: | Theatre Record Volume XXXI (2011) Issue 22 Page 1190 | |||||
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