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Alexander Solzhenitsyn

ALEXANDER SOLZHENITSYN   

Nationality:   n/a    Email:   n/a   Website:   n/a

Literary Agent:  n/a

Please send me a biography and information about this Playwright
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Adaptation / Translations of Plays by Alexander Solzhenitsyn

NICHOLAS BETHELL  

Love-Girl And The Innocent, The

1st Produced:

Unproduced

- - -

Organisations:

n/a

1st Published:

Bodley Head, London, 1969

ISBN/ASIN:

-

Music:

-

doollee no

#3174

To Buy This Play:

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Genre:

Translation

Parts:

Male

-

Female

0

Parts other:

very large mixed cast

Notes:

Original Playwright - Alexander Solzhenitsyn; Collaboration by David Burg and Nicholas Bethell

Synopsis:

the Innocent is a new arrival to a Stalinist slave camp in 1945 who is reluctant to adopt the sordid techniques of survival

Further Reference:

-


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JEREMY BROOKS  

Love-Girl And The Innocent, The

1st Produced:

Aldwych Theatre, London >>>

1975

Organisations:

n/a

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#4824

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

Stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Adaptation

Parts:

Male

-

Female

0

Parts other:

-

Notes:

Original Playwright - Alexander Solzhenitsyn

Synopsis:

Further Reference:

-


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DAVID BURG  

Love-Girl And The Innocent, The

1st Produced:

Unproduced

- - -

Organisations:

n/a

1st Published:

Bodley Head, London, 1969

ISBN/ASIN:

-

Music:

-

doollee no

#44256

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

Stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Translation

Parts:

Male

-

Female

0

Parts other:

very large mixed cast

Notes:

Original Playwright - Alexander Solzhenitsyn; Collaboration by David Burg and Nicholas Bethell

Synopsis:

the Innocent is a new arrival to a Stalinist slave camp in 1945 who is reluctant to adopt the sordid techniques of survival

Further Reference:

-


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MATTHEW DUNSTER  

Love Girl and the Innocent, The

1st Produced:

Southwark Playhouse, Shipwright Yard, (Corner of Tooley St. & Bermondsey St.), London SE1 2TF >>>

09 Oct 2013

Organisations:

n/a

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#155865

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

Stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

adaptation

Parts:

Male

12

Female

4

Parts other:

originally written for over 50 performers

Notes:

Original Playwright - Alexander Solzhenitsyn, adapted by Matthew Dunster from a translation by Nicholas Bethell

Synopsis:

Nemov is a new arrival at the camp, sent straight from the army front line to take charge of the prisoners. Confronted with the systems hypocrisy, he is pushed to the limits. How long can he endure the barbarity and injustice of the camp; a system that thrives on power, corruption, and sexual amorality? When Nemov meets Lyuba, one of the women prisoners - a 'love girl', he is tempted further, and forced to confront himself and how far he must betray his own moral and emotional loyalties.

Further Reference:

-


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Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.