|
|
DANIEL SINGER |
|
Nationality: n/a Email: n/a Website: n/a |
|
|
Literary Agent: n/a |
Daniel Singer (RSC Founder/Writer/Performer), a native Californian, trained in London for a career as a theatrical impresario. Following the creation of The Complete Works of William Shakespeare (abridged), Daniel hung up his doublet-and-hose to design theme park attractions for Walt Disney Imagineering. He's particularly proud of his work on Disneyland's Toontown. After 12 years as an Imagineer, Daniel left Disney to become a freelance bohemian; these days he restores old houses, sculpts, gardens, and continues to write plays in hopes of another hit.
Plays by Daniel Singer
Complete Works Of William Shakespeare (Abridged) | ||
| 1st Produced: | Aug 1987 | |||||
Company: | n/a | |||||
| 1st Published: | Applause Books, New York, | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #32391 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
|
| ||||||
Genre: | Comedy | |||||
| Parts: | Male | 3 | Female | - | ||
Parts other: | - | |||||
Notes: | written with Adam Longr and Jess Winfield | |||||
Synopsis: | All 37 Plays in 97 Minutes! An irreverent, fast-paced romp through the Bard's plays, The Complete Works of William Shakespeare (abridged) was London's longest-running comedy - 10 years in the West End at the Criterion Theatre - and is NOW ON TOUR! Join these madcap men in tights as they weave their wicked way through all of Shakespeare's Comedies, Histories and Tragedies in one wild ride that will leave you breathless and helpless with laughter. Warning! This show is a high-speed roller-coaster type condensation of all of Shakespeare's plays, and is not recommended for people with heart ailments, bladder problems, inner-ear disorders and/or people inclined to motion sickness. The RSC cannot be held responsible for expectant mothers! | |||||
Further Reference: | Theatre Record Volume XXXI Issue 07 Page 354 | |||||
|
