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Mikhail Shatrov

MIKHAIL SHATROV   

Nationality:   n/a    Email:   n/a   Website:   n/a

Literary Agent:  n/a

Please send me a biography and information about this Playwright
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Adaptation / Translations of Plays by Mikhail Shatrov

MICHAEL GLENNY  

Bolsheviks, The

1st Produced:

- - -

- - -

Organisations:

n/a

1st Published:

Nick Hern Books, London, 1990

ISBN/ASIN:

-

Music:

-

doollee no

#13668

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

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abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Adaptation

Parts:

Male

-

Female

0

Parts other:

-

Notes:

Original Playwright - Mikhail Shatrov

Synopsis:

Further Reference:

-


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KEITH REDDIN  

Maybe

1st Produced:

Royal Exchange Theatre, Manchester, UK >>>

1993

Organisations:

n/a

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#29173

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Adaptation

Parts:

Male

-

Female

0

Parts other:

-

Notes:

Original Playwright - Mikhail Shatrov

Synopsis:

Further Reference:

-


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MICHAEL GLENNY  

Peace Of Brest-Litovsk, The

1st Produced:

Lyric Theatre Hammersmith, London, EUR >>>

1989

Organisations:

Vakhtangov Theatre, Moscow presented by Vanessa Redgrave Enterprises

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#76207

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Translation

Parts:

Male

10

Female

4

Parts other:

-

Notes:

Original Playwright - Mikhail Shatrov

Synopsis:

about the backstage pwer struggle by which Lenin bought time by seeming to sell out to the Germans in the 1917 Treaty of Brest-Litovsk

Further Reference:

-


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Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.