RICHARD SANGER   (1960 - )


Richard Sanger
   Nationality:
Canadian
   Literary Agent: *:
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Plays by Richard Sanger

RICHARD SANGER
Fuente Ovejuna
1st Produced:
Ryerson Theatre, Toronto
2006
Company:
Ryerson Theatre
1st Published:
Broadview Press
2003
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Genre:
Verse drama
Translation
Parts:
Male
16
Female
4
Parts Other:
doubling possible
Notes: This translation differs from the other modern English versions in that it follows the metre of the original (four stress, octosyllabic lines) and maintains Lope's rhyming schemes (while frequently using half-rhymes "still/well" and assonance "proud/about"). This means this translation is more playable (it moves a lot faster), more polished (it rhymes) and ultimately truer to the spirit of the original. I have also not hesitated to streamline the original where necessary.
Synopsis: A new verse translation of Lope de Vega's 1612 Spanish classic. Based on an actual peasant uprising that took place in 1476, it tells the story of an imperious military governor (and war hero) who tyrannizes a small village called Fuenteovejuna, demanding a right to all the women, married and not, until the village, led by one headstrong peasant girl (who claims she has no time for love), finally rebels and lynches him. These dramatic events are complemented by a charming pastoral love story (guess who falls in love), and the courtly intrigue surrounding the succession of Ferdinand and Isabel to the crown of Castile.
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RICHARD SANGER
Not Spain
1st Produced:
Toronto
1996
Company:
-
1st Published:
Playwrights Canada Press
-
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Genre:
-
Play/Drama
Parts:
Male
1
Female
1
Parts Other:
-
Notes: -
Synopsis: Sophie, a freelance journalist meets Andrei in a war torn city
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RICHARD SANGER
Two Words For Snow
1st Produced:
Alberta Theatre Projects, Calgary
1999
Company:
Alberta Theatre Projects
1st Published:
Red Deer Press
2006
To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
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Genre:
-
Play/Drama
Parts:
Male
5
Female
1
Parts Other:
-
Notes: This play is based on historical fact. Peary was accompanied by a black man named Matthew Henson on his polar expeditions, including his allegedly successful final 1909 trek; Henson learnt to speak Inuktitut and served as Peary's interpreter on those expeditions; both men fathered children with Inuit women; Peary brought back six Inuit to be put on display at the American Museum of Natural History; when four of them fell ill and eventually died, Henson served as an interpreter for the museum's director, the influential anthropologist, Franz Boas, whose 1911 book, The Handbook of North American Indian Languages, first speculated on the number of Inuit words for snow. These facts and others, and my characters' names are all historical; my play is a work of the imagination.
Synopsis: New York, 1935. An old man sits brooding in the Eskimo Room of the American Museum of Natural History. He's black and, all around him, there are dropcloths, which are white, covering up strange shapes. A young man, white, arrives: He's looking for someone called Henson. Who? The old man gives a cold laugh. So begins this play about love, betrayal, and the ambitions of the various men (and one Inuit woman) involved in Robert Peary's 1909 North Pole expedition.
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RICHARD SANGER
Wild Grapes
1st Produced:
-
-
Company:
-
1st Published:
Playwrights Co-op, Toronto
-
To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
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Genre:
-
Comedy
Parts:
Male
-
Female
4
Parts Other:
-
Notes: -
Synopsis:
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