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Jack Roffey

JACK ROFFEY  

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below is a list of Jack Roffey's plays - click on a Play Title for more information

 Hostile Witness         Justice Is A Woman         Night Of The Fourth

Hostile Witness

Synopsis:
A successful barrister believes that his next door neighbour was responsible for the death of his daughter. When the neighbour is killed in a staged burglary the barrister is the prime suspect

Notes:
-

1st Produced:
Brighton    1964

Company:
-

1st Published:
Evans Bros, London, 1965   -

Music:
-

To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
Courtroom Drama Play/Drama

Parts:
Male:  20            Female:  4            Other:  -

Further Reference:
-

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Justice Is A Woman

Synopsis:
-

Notes:
written with Ronald Kinnoch

1st Produced:
Brighton    1966

Company:
-

1st Published:
English Theatre Guild, London, 1967   -

Music:
-

To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
Thriller

Parts:
Male:  16            Female:  5            Other:  -

Further Reference:
-

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Night Of The Fourth

Synopsis:
-

Notes:
written with Gordon Harbord. Adapted From The Play "Sprechstunde" By H. Bratt

1st Produced:
Westminster Theatre, London    1956

Company:
-

1st Published:
Samuel French, London, 1957   -

Music:
-

To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
Adaptation

Parts:
Male:  10            Female:  2            Other:  -

Further Reference:
-

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Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.