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Last Updated: 10 Feb 12

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Jeffery Roberson

JEFFERY ROBERSON   

Nationality:   n/a    Email:   n/a   Website:   n/a

Literary Agent:  n/a

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Plays by Jeffery Roberson

Loose Chanteuse

1st Produced:

Ars Nova
511 West 54th Street, New York, NY 10019

17 Feb 2011

Company:

n/a

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#124944

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

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abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Musical Show

Parts:

Male

1

Female

-

Parts other:

pianist

Notes:

written by Jeffery Roberson and Jacques Lamarre

Synopsis:

Miss Merman spices up the gig with the appearance of Tom Judson aka "Gus Mattox" on piano. The Loose Chanteuse features new videos, saucy songs and dazzling dresses. Varla Jean Merman is the drag creation of performer Jeffery Roberson.
- nytheatre.com

Further Reference:

-


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Scrooge In Rouge

1st Produced:

- - -

- - -

Company:

n/a

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#91873

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Musical

Parts:

Male

2

Female

1

Parts other:

multiple roles

Notes:

Music by Jefferson Turner; lyrics by Ricky Graham; book by Ricky Graham. Additional material by Jefferey Roberson and Yvette Hargis

Synopsis:

n/a

Further Reference:

-


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Shut Up Sweet Charlotte

1st Produced:

- - -

- - -

Company:

n/a

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#91874

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Comedy

Parts:

Male

-

Female

-

Parts other:

-

Notes:

by Ricky Graham, Additional material by Jefferey Roberson and Yvette Hargis. Based on the film "Hush Hush Sweet Charlotte" screenplay by Joseph Biroc and Lukas Heller. Males actors potray the parts orginally taken by Bette Davis, Olivia de Havilland and Agnes Moorehead

Synopsis:

1927 Charlotte is having an affair with a married man. She leaves a party to meet him when she returns she is covered with blood. His body is found without a head or hands. Charlotte believes her father did the murder - everyone else that is was "Mad Charlotte"

Further Reference:

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Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.