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Anastasia Revi

ANASTASIA REVI   

Nationality:   n/a    Email:   n/a   Website:   n/a

Literary Agent:  n/a

Please send me a biography and information about this Playwright
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Plays by Anastasia Revi

Byzantium 00 AD

1st Produced:

Union Chapel, N1, London

2000

Company:

n/a

1st Published:

I don't think it has been published. Try emailing Playwright or Agent, where listed, at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#29361

To Buy This Play:

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Adaptation

Parts:

Male

-

Female

-

Parts other:

-

Notes:

-

Synopsis:

Further Reference:

-


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Fall of the House of Usher, The

1st Produced:

The Old Cholmeley Boys Club, Dalston

12 Dec 2010

Company:

Laboratorium

1st Published:

I don't think it has been published. Try emailing Playwright or Agent, where listed, at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#122913

To Buy This Play:

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Adaptation

Parts:

Male

-

Female

-

Parts other:

-

Notes:

By Edgar Alan Poe, adapted and directed by Anastasia Revi

Synopsis:

A macabre and gothic site specific theatrical performance where the enigmatic Roderick Usher, the ethereal Madeline and their strange visitor, Edgar, perform a story of sinister beauty, sick eroticism, and cynical love in the shadows of decadent chandeliers, candles, and the haunting music of the piano. . .

Further Reference:

-


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Velvet Scratch

1st Produced:

Groundwork Festival, London

2007

Company:

Theatre Lab Company

1st Published:

I don't think it has been published. Try emailing Playwright or Agent, where listed, at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#71711

To Buy This Play:

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Play/Drama

Parts:

Male

-

Female

-

Parts other:

-

Notes:

-

Synopsis:

There is no rest and certainly no peace in the macabre world of the undead. A vibrant underworld comes to life with powerful images, music and theatrical animation with a contemporary touch.

Further Reference:

-


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Velvet Scratch - Voyage Of No Return

1st Produced:

The Barrow Street Theatre, New York International Fringe Festival, NY, USA >>>

2008

Company:

Theatre Lab Company

1st Published:

I don't think it has been published. Try emailing Playwright or Agent, where listed, at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#88413

To Buy This Play:

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

1h 0m, Musical, Performance Art

Parts:

Male

-

Female

-

Parts other:

-

Notes:

-

Synopsis:

Unwanted souls and their dark stories. . .A vibrant underworld comes to life with macabre humour, powerful images, live music, songs and theatrical animation. "Edgar Allan Poe and Tim Burton seem to have paid a brief visit to Theatre Lab Company in London. . ." www.theatrelab.co.uk 1h 0m, London, United Kingdom Musical, Performance Art
- http://www.fringenyc.org/

Further Reference:

-


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Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.