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Mark Quartley

MARK QUARTLEY  

 Nationality:    English
email:    n/a     Website:    n/a

Literary Agent:    Curtis Brown Group Ltd  


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below is a list of Mark Quartley's plays - click on a Play Title for more information

 Lucky         Odyssey         Unheard

Lucky

Synopsis:
-

Notes:
-

1st Produced:
RADA, London    2008

Company:
Weavers Hughes Ensemble

1st Published:
-   -

Music:
-

To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
Play/Drama

Parts:
Male:  -            Female:  -            Other:  -

Further Reference:
-

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Odyssey

Synopsis:
Non identical twins given classical names by their intellectual father. They live in a house built around an electric pylon. Pyrrhus goes to Cambridge when he returns home in the break he finds his brother Neoptolemus has turned to drink and drugs

Notes:
-

1st Produced:
Durham University    2007

Company:
Offensive Shadows Theatre Company

1st Published:
-   -

Music:
-

To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
Drama

Parts:
Male:  -            Female:  -            Other:  -

Further Reference:
-

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Unheard

Synopsis:
Written especially for the Royal stage, this brand new show features the very best in contemporary music, played live on stage by an extraordinary cast of young people and a professional band. This electrifying soundtrack is woven together with a fast-paced, bold and witty script by emerging writer Mark Quartley, developed from the teenage cast's own ideas and experiences. The performers have worked closely with Mark throughout, acting as script editor for the show, which explores issues around the student protests and has galvanised the young cast into becoming more politically aware. Sometimes funny, sometimes tragic, and always thought-provoking, Unheard tells the real story of what the media call "the facebook generation". And believe us, it is nothing like what you read in the papers.

Notes:
-

1st Produced:

Company:
Northampton Royal and Derngate Youth Theatre

1st Published:
-   -

Music:
-

To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
musical

Parts:
Male:  -            Female:  -            Other:  -

Further Reference:
-

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Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.