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JAMIE PETERSON |
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Nationality: n/a Email: n/a Website: n/a |
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Literary Agent: n/a |
Please send me a biography and information about this Playwright
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Plays by Jamie Peterson |
Apologies (and other grey areas) | ||
| 1st Produced: | Incubator Arts Project | 01 Dec 2011 | ||||
Company: | The Paper Industry | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #134285 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | dance theatre | |||||
| Parts: | Male | - | Female | - | ||
Parts other: | - | |||||
Notes: | Music By: Carter Matschullat and Hard Mix | |||||
Synopsis: | Apologies (and other grey areas) is the conclusion of The Paper Industry's "ugly opera" trilogy - a cycle of modular, music-driven dance theater focused on concepts in physics. Taking at its core the famous "Schrodinger's Cat" thought experiment and Heisenberg's Uncertainty Principle, Apologies examines the ontology of beginnings; working within the ineffable moment when something crosses from potential to actual. | |||||
Further Reference: | - | |||||
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Sine Wave Goodbye | ||
| 1st Produced: | 2009 | |||||
Company: | The Paper Industry | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #98049 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Play/Drama | |||||
| Parts: | Male | 3 | Female | 2 | ||
Parts other: | - | |||||
Notes: | - | |||||
Synopsis: | In The Paper Industry's latest 'ugly opera', a man named M escapes the social machine only to lose himself inside his mind, rife with falling walls, forced dancing and maybe just a little bit of truth about Isaac Newton. M finds himself confronted by four oddball strangers in a landscape shaped by his subconscious in Sine Wave Goodbye, and through the use of dance, an original score, and original text he hopes to discover what it is exactly that makes us tick. Exploring a fantastic and fatalistic interpretation of the laws of motion, M will discover the tragic, glorious freedom of choice and consequence in a larger social context | |||||
Further Reference: | - | |||||
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