LARRY PARR
| Nationality: | American |
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Plays by Larry Parr
Ethel Waters: His Eye Is On The Sparrow |
| 1st Produced: | Florida Studio Theatre, Sarasota, Florida | 2005 | ||
| Company: | - | |||
| 1st Published: | - | - | ||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||
| Genre: | Musical Biography | - | Parts: | Male | - | Female | 1 |
| Parts Other: | piano[layer | |||
Notes: Ethel Waters: His Eye Is On The Sparrow won a State of Florida Individual Artist's Fellowship and the Sarasota Arts Council's John Ringling Award in Sarasota, Florida. | ||||
Synopsis: Ethel Waters rose from stardom from a most-obscure beginning, a whore's alley in Philadelphia where she lived in poverty with her mother and grandmother. She faced unspeakable racism during her rise to fame, and this racism made her an avowed racist. Ethel Waters: His Eye Is On The Sparrow tells the story of how she was healed of racism and became a whole person. Her story is revealed using many of the songs Ethel introduced, including Am I Blue, Stormy Weather, and of course, His Eye Is On The Sparrow, her signature song. | ||||
Hi-Hat Hattie, The Story Of Hattie Mcdaniel |
| 1st Produced: | Florida Studio Theatre, Sarasota, Florida | 1990 | ||
| Company: | - | |||
| 1st Published: | - | - | ||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||
| Genre: | Musical Biography | - | Parts: | Male | - | Female | 1 |
| Parts Other: | piano[layer | |||
Notes: Hi-Hat Hattie won an Individual Artist's Fellowship from the State of Florida and the Kansas City's Theater Reviewer's Best-Musical Award. | ||||
Synopsis: Hattie McDaniel was the first African-American to win an Academy Award for her portrayal of Mammy in Gone With The Wind. She was subsequently attacked by the NAACP and members of her own race for "selling out" and helping to perpetuate stereotypes. Hi-Hat Hattie, a musical biography of the great actress, singer, and comedienne, uses many of the songs associated with her life, including Amazing Grace, Danny Boy, Can't Help Lovin' That Man, and many others. It is her life, told from her perspective, and for the first time, we can understand her plight. | ||||
Invasion Of Privacy |
| 1st Produced: | Florida Studio Theatre, Sarasota, Florida | 1995 | ||
| Company: | - | |||
| 1st Published: | - | - | ||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||
| Genre: | Courtroom biography | - | Parts: | Male | 3 | Female | 3 |
| Parts Other: | - | |||
Notes: Invasion Of Privacy won the Playwrights First Award from the National Arts Club in Manhattan; the Goldcoast Players Best-Play Award; and a Florida Individual Artist's Fellowship. | ||||
Synopsis: Marjorie Kinnan Rawlings was riding high on her success as an author, having won the Pulitzer Prize for her novel, The Yearling and having won many honorary degrees. With the publication of her nonfiction book, Cross Creek, about her friends and neighbors in the little Florida community, her life was about to change. Her friend and neighbor, Zelma Cason, sued her for invasion of privacy. The ensuing lawsuit that played out in backwoods Florida was alternately hilarious and profound, as it pitted the right to privacy against the constitutional promise of free speech. | ||||
My Castle's Rockin', The Story Of Alberta Hunter |
| 1st Produced: | Southern Appalachian Repertory Theater | 1995 | ||
| Company: | - | |||
| 1st Published: | - | - | ||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||
| Genre: | Musical Biography | - | Parts: | Male | - | Female | 1 |
| Parts Other: | piano[layer | |||
Notes: My Castle's Rockin', The Story Of Alberta Hunter won the Southern Appalachian Repertory Theater's Annual Best-Play Award. | ||||
Synopsis: Alberta Hunter, a great jazz and blues singer and song writer, and three major careers. The first started when she ran away from home at 14 years old and went to Chicago to sing in a "sportin' house," where girls could earn $10.00 a week, "a fortune!" From there, her singing career took her to vaudeville, Broadway, and she became a sensational star in Europe, where she had to flee from Europe in the 1940s to get away from the Nazis. In the 1950s, she lost her career to changing music tastes and the rise of Rock and Roll, so she lied about her age to get into nursing school. She worked as a nurse for 20 years, and they made her retire when they thought she was 70 years old. She was really 82. Barney Josephson asked her to appear at The Cookery for a week, and that week turned into 7 years, until her death. All through her life, she was terrified that someone would find out her secret - that she was a lesbian. It was not until she could get rid of the Nazi in her own heart that Alberta could find peace. | ||||
Sundew |
| 1st Produced: | Southern Appalachian Repertory Theater, Asheville, North Carolina | 1993 | ||
| Company: | - | |||
| 1st Published: | - | - | ||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||
| Genre: | - | Play/Drama | Parts: | Male | 2 | Female | 2 |
| Parts Other: | - | |||
Notes: Sundew won the Southern Appalachian Repertory Theater's Annual Best-Play Award. | ||||
Synopsis: Sundew is a spiritual look at ecology. Elizabeth Andrews owns a large piece of land in Appalachia that she is convinced is the real, Biblical Eden. She sees long-extinct animals that have returned, put there, she thinks, by the hand of God. Most people think she is crazy. Her daughter, Alice, wants to sell the land to a strip-mining company, so she can use the money to go away to school and marry her sweetheart, an orphan named Tom. The ensuing struggle, written in a lyric style of Southern dialect, underscores our obligation to protect the earth, a gift from God. | ||||