MARTIN O'CONNOR   


To add a picture of Martin O'Connor to this page, click on Contact Us, above
   Nationality:
n/a
   Literary Agent: *:
n/a
   Email:
   Website:
n/a

* If shown, click on the literary agent's name for full contact details and links to all the Playwrights they represent.

Plays by Martin O'Connor

MARTIN O'CONNOR
Manifesto
1st Produced:
2005
Company:
Think Tank Theatre
1st Published:
-
-
To Buy This Play:
I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page
Genre:
Piece
One Act
Parts:
Male
1
Female
-
Parts Other:
-
Notes: Part of Arches Theatre Festival
Synopsis: Hormones, Hair loss and Hydraulics: Martin O'Connor presents a mock-conference on the state of the modern male.
Top of Page
MARTIN O'CONNOR
Reality
1st Produced:
Q! Gallery Studio, Glasgow
2007
Company:
Glasgay/Tron Theatre
1st Published:
-
-
To Buy This Play:
I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page
Genre:
-
-
Parts:
Male
1
Female
-
Parts Other:
-
Notes: -
Synopsis: The first piece, Fame, amounts to a brilliant high-speed tour around the delusional inner world of a Glasgow teenager obsessed with "becoming somebody" through the fickle world of reality-show celebrity. The second, War, shows a Scottish squaddie in Afghanistan gradually sliding into despair and depression as his partner back home becomes a celebrity soldier's wife, and dumps him for better things. And the third is a bleak account of a boy who is both a father and a child; a teenage Dad who can no more care properly for his endangered baby son than he can imagine any escape from the brutal world of junk jobs and video violence in which he lives. There's no doubting, though, that this time around, O'Connor has produced a very fine set of monologues about the emasculation of men in an age of meaningless celebrity, when effort and dedication count for nothing, and blind chance for almost everything. he lives. The Scotsman
Top of Page
MARTIN O'CONNOR
Self Confessed Male, The
1st Produced:
2005
Company:
-
1st Published:
2008
To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies
Genre:
Piece
One Act
Parts:
Male
1
Female
-
Parts Other:
-
Notes: part of "I Confess" a series of monologues. These monologues reflect a growing interest in the theme of confession and the subject of other people's lives in contemporary drama and television, including the so-called reality' shows which abound in today's programme schedules. In a live context the experience of direct one to one contact can be alarming and exhilarating by turns. Funny, moving, disturbing and challenging, these monologues will be of interest to actors in search of an audition piece as well as directors on the lookout for a new and highly flexible way of making theatre.
- Hugh Hodgart, Head of Acting RSAMD
Synopsis: "Martin O'Connor's inward searching self-penned monologue The Self Confessed Male was a baptism of fire. . .leaning in close and whispering in your ear that he'd like to mate. . .it's a startling and uncomfortable beginning" Maureen Ellis, Evening Times.
Top of Page
MARTIN O'CONNOR
Zugzwang
1st Produced:
2006
Company:
Think Tank Theatre
1st Published:
-
-
To Buy This Play:
I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page
Genre:
Piece
One Act
Parts:
Male
1
Female
-
Parts Other:
-
Notes: Part of Arches Theatre Festival
Synopsis: A one-man one-act piece that follows a group of men attending a therapy session. Monologues include a penis-envying gym junkie, a man greiving his dead father and a self help addict who discovers a chess-boxing epiphany. "Managing to present the so-called crisis of masculinity as pathetic in both senses, 'Zug-Zwang' represents a necessary manoeuvre to escape the confrontational nature of the gender identity dialogue. Witty, compassionate and well-delivered, it introduces a strong theme to Glasgay! and was warmly received on its opening. The finale came far too quickly."
The Skinny
Top of Page