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Michael O Briain

MICHAEL O BRIAIN  

 Nationality:    Irish
email:    n/a     Website:    n/a

Literary Agent:    n/a


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below is a list of Michael O Briain's plays - click on a Play Title for more information

 An Margadh Dubh

An Margadh Dubh

Synopsis:
-

Notes:
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1st Produced:
An Taibhdhearc    07 Jan 1943

Company:
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1st Published:
-   -

Music:
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To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
One Act

Parts:
Male:  -            Female:  -            Other:  -

Further Reference:
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www.doollee.com comprises a comprehensive online searchable database for plays written in English since the production of Look back In Anger in 1956. Each play listing contains a playwright biography, synopsis, cast size, creative and production team for the premiere production, date and location of the first performance and much more.doollee.com not only defines the World's theatrical repertoire for the first time but also aims to revitalise that repertoire by reintroducing many lost scripts and providing a gateway for locating and clearing rights for a very large number existing scripts. We are delighted to receive information from users where our own research has been unable to locate details on the holder of a play's rights.doollee.com contains a comprehensive listing for each new play written in English produced by professional theatre companies, venues, festivals, commercial producers and once-off-producers from 1956 to the present. It includes adaptations, translations and new versions. The database also includes those plays produced by fringe (unsubsidised) companies and by semi-professional organisations, where the work is deemed to be of particular significance to the repertoire. Thus you will get help with playwright, dramatist, plays, biography, theatres, agent, synopses, cast sizes, production, published, dates, database, research.







Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.