doollee banner

Last Updated: 04 Nov 13

Contact


Google
web doollee.com


Click on a Play title below for more information

Olga Mukhina

OLGA MUKHINA   (1970 - )

Nationality:   Russian    Email:   n/a   Website:   n/a

Literary Agent:  n/a

Please send me a biography and information about this Playwright
xxx doollee

Adaptation / Translations of Plays by Olga Mukhina

JOHN FREEDMAN  

Flying

1st Produced:

Towson University (staged reading)

Nov 2008

Organisations:

Towson University Department of Theatre Arts

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#107733

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

Stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Translation

Parts:

Male

4

Female

4

Parts other:

-

Notes:

Original Playwright - Olga Mukhina. This translation was developed in a workshop for the New Russian Drama: Voices in a Shifting Age project mounted by Towson University and Philip Arnoult's Center for International Theatre Development. Directed by Yury Urnov.

Synopsis:

The hip, attractive, wealthy and successful employees of a popular youth-oriented television station slip and slide through an easy, glamorous lifestyle until, unexpectedly for them, the conflicting influences of money, drugs and burgeoning spirituality began to unravel their neat lives. The catalyst in the changes that begin overtaking them is the appearance in their midst of an innocent young woman from distant Siberia, and a suspicious, but lovelorn, policeman.

Further Reference:

-


Top of Page Top of Page


JOHN FREEDMAN  

Love of Karlovna, The

1st Produced:

Contemporary Play School (in Russian)

1998

Organisations:

n/a

1st Published:

TheatreForum 1999

ISBN/ASIN:

-

Music:

-

doollee no

#107737

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

Stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Translation

Parts:

Male

5

Female

4

Parts other:

-

Notes:

Original Playwright - Olga Mukhina

Synopsis:

A young woman living in a communal apartment is in despair because the love of her life has abandoned her and left the country. She is surrounded, however, by great and eccentric friends who do everything in their power to buoy her spirits. They party, engage in long late-night conversations, and generally go about living the life any young person should - loud, lively and independent. The spirit of love lost, however, is a mighty and, sometimes, terrible transforming force that cannot be denied.

Further Reference:

-


Top of Page Top of Page


JOHN FREEDMAN  

Tanya-Tanya

1st Produced:

California Institute of the Arts School of theater

2005

Organisations:

n/a

1st Published:

in "Two Plays by Olga Mukhina", 1998

ISBN/ASIN:

978-0203989494

Music:

-

doollee no

#46491

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

Stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Translation

Parts:

Male

4

Female

3

Parts other:

-

Notes:

Original Playwright - Olga Mukhina

Tanya-Tanya

Vasily Okhlobystin is a hospitable man approaching that age when he suddenly realizes there is no turning back to youth. He loves Tanya, who, although angry at her husband for his not-so-innocent flirtations with a Girl also named Tanya, cannot and will not return Okhlobystin's affections. Tanya does move into Okhlobystin's house along with his other house guest, the delightfully obtuse and ferociously independent Zina, long enough to get a perspective on her husband's behavior. Zina loves Okhlobystin, who sees in her little more than an outlet for his flirtatious energy. Ivanov's jealousy of his wife leads him to ignore the Girl, who suffers her rejection so deeply she is barely able to tolerate the devotion which the Boy heaps on her. He drowns his sorrows by courting the significantly older Zina, who, out of pity and understanding, encourages him more than Okhlobystin would have her do. In the middle of this highly ironic swarm of fluctuating affections, the comic figure of the Worker-named Uncle Vanya-appears to repair the damage done to Okhlobystin's house by the jealous Ivanov. the play rings with laughter, hope and music, and it rings with the transparent but insistent warning that behind the intense joys of life something potentially dark and hollow lurks.

Further Reference:

-


Top of Page Top of Page


KATE MOIRA RYAN  

Tanya Tanya

1st Produced:

Towson University

- - -

Organisations:

Towson University Department of Theatre Arts

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#157090

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

Stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Translation

Parts:

Male

-

Female

-

Parts other:

-

Notes:

Original Playwright - Olga Mukhina

Synopsis:

Russians trying to construct their new world after the fall of Communism

Further Reference:

-


Top of Page Top of Page


SASHA DUGDALE  

U

1st Produced:

Royal Court Theatre, London >>>

- - -

Organisations:

n/a

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#10232

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

Stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Translation

Parts:

Male

-

Female

0

Parts other:

-

Notes:

Original Playwright - Olga Mukhina

Synopsis:

Further Reference:

-


Top of Page Top of Page


JOHN FREEDMAN  

YoU

1st Produced:

Lark Theater (workshop)

2001

Organisations:

n/a

1st Published:

in "Two Plays by Olga Mukhina", Routledge (26 Jan 1999)

ISBN/ASIN:

978-0203989494

Music:

-

doollee no

#107738

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

Stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Translation

Parts:

Male

6

Female

6

Parts other:

-

Notes:

Original Playwright - Olga Mukhina

YoU

the Moscow of this play is caught in the grips of an unidentified war that no one wants to acknowledge. It doesn't matter that "heroes" are coming home from the front, and that airplanes are strafing the city - no one pays any attention. Old and young are busy falling in love, climbing the heights of bliss or falling clumsily into the despair of losing love. Who has time to think of war when life is so rich and deceitful? and who are those two strange old women who repeatedly interrupt the goings-on, spouting a mix of nonsense and wisdom? What are they trying to say?

Further Reference:

-


Top of Page Top of Page


Buy Plays with Doollee

Each page of doollee.com has links to play/book outlets, either directly to the Publisher, through Stageplays.com and Amazon to the second hand and 1st editions of AbeBooks. These links will automatically take you to the relevant area obviating the need for further search.




We add submitted information to the site daily and all contributions we receive help make this the most meaningful and definitive guide to modern playwrights in the world. So whether you are a Playwright who wishes to make their entry definitive, an unlisted Playwright or a User with a tale to tell - we want to hear from you.










Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.