STEVE MARTIN   


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   Nationality:
Australian
   Literary Agent: *:
   Email:
n/a
   Website:
n/a

* If shown, click on the literary agent's name for full contact details and links to all the Playwrights they represent.

Plays by Steve Martin

STEVE MARTIN
Picasso At The Lapin Agile
1st Produced:
Quarry, West Yorks
1998
Company:
-
1st Published:
American Theatre Magazine, NY - November
1994
To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies
Genre:
-
Comedy
Parts:
Male
7
Female
4
Parts Other:
-
Notes: -
Synopsis: absurdist comedy placing Albert Einstein and Pablo Picasso in a Parisian cafe in 1904 just before the theory of relativity and cubism
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STEVE MARTIN
Underpants, The
1st Produced:
2006
Company:
-
1st Published:
-
-
To Buy This Play:
I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page
Genre:
-
Adaptation
Parts:
Male
4
Female
2
Parts Other:
-
Notes: Original Playwright - Carl Sternheim
Synopsis: Its premise is simple, if bizarre: Louise, wife to ruthless pragmatic government clerk Theo, accidently managed to drop her drawers at the Kaiser's parade, thus becoming the talk of a thrillingly scandalised town. It seems that every man in Germany, except Theo, now wants to bunk up with her.
Fiona Mountford, Evening Standard
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STEVE MARTIN
Wasp
1st Produced:
-
-
Company:
-
1st Published:
Samuel French, London
1998
To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies
Genre:
Drama
One Act
Parts:
Male
2
Female
2
Parts Other:
3 other (although they can all be played by one actor)
Notes: -
Synopsis: WASP is a dark comedy about a family in the 1950s struggling to acheive the stereotypical perfection and harmony of the time, and failing. Instead, the characters are drowning in their own self-deprecation and are unsure of anything, even their own identities. They therefore turn to others, from voices in their heads to aliens from cartoons, for the answers they need, and even there cannot find them.
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