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Dan Martin

DAN MARTIN  

 Nationality:    n/a
email:    Click here to contact     Website:    Click here

Literary Agent:    Abrams Artists Agency  


the one for Dan Martin and Michael Biello could only find them together - apart from one of Dan by himself which I think he had his hands over his face. Well, they do write together and they are married too!!
Raymond Port

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below is a list of Dan Martin's plays - click on a Play Title for more information

 Barenaked Lads In The Great Outdoors         Breathe         In The Park         Q         Table 3

Barenaked Lads In The Great Outdoors

Synopsis:
They get to take their clothes off - she keeps hers on! Numerous scenes from the taping of the "Nude Gourmet" tv series to the Gay Games and what happened when a group of grade school children went to the zoo

Notes:
Original music by Michael Bielo, Dan Martin And Michael Mahler

1st Produced:
Bailiwick Theatre, Chicago    2006

Company:
-

1st Published:
-   -

Music:
-

To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
Musical. - - Gay/Lesbian, musical

Parts:
Male:  6            Female:  1            Other:  -

Further Reference:
-

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Breathe

Dan Martin
-

Notes:
written by Dan Martin And Michael Biello

1st Produced:
Bailiwick Theatre Chicago    Jun 1999

Company:
-

1st Published:
-   -

Music:
Revival cast recording: Gay and Lesbian Theatre Festival cd 2004

To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
Musical. - - Gay/Lesbian, musical

Parts:
Male:  -            Female:  -            Other:  -

Further Reference:
-

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In The Park

Synopsis:
-

Notes:
written with Michael Biello

1st Produced:
-    -

Company:
-

1st Published:
-   -

Music:
-

To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
-

Parts:
Male:  -            Female:  -            Other:  -

Further Reference:
-

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Q

Synopsis:
-

Notes:
written by Dan Martin And Michael Biello

1st Produced:
Chicago    2000

Company:
-

1st Published:
-   -

Music:
-

To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
Musical. - - Gay/Lesbian, musical

Parts:
Male:  -            Female:  -            Other:  -

Further Reference:
-

Top of Page Top of Page

Table 3

Synopsis:
-

Notes:
written with Michael Biello

1st Produced:
-    -

Company:
-

1st Published:
-   -

Music:
-

To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
-

Parts:
Male:  -            Female:  -            Other:  -

Further Reference:
-

Top of Page Top of Page









Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.