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TATIANA MALLARINO |
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Nationality: n/a Email: n/a Website: n/a |
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Literary Agent: n/a |
Please send me a biography and information about this Playwright
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Plays by Tatiana Mallarino |
Capsule 33 | ||
| 1st Produced: | Barrow Street Theatre | 23 Sep 2010 | ||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #119166 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Piece | |||||
| Parts: | Male | 1 | Female | 1 | ||
Parts other: | - | |||||
Notes: | created by Thaddeus Phillips and Tatiana Mallarino | |||||
Synopsis: | his is a theatrical event that runs entirely on sustainable energy, created and performed by Thaddeus Phillips. Capsule 33 concerns Milo, a resident of the famed Nakagin Capsule Tower in Tokyo, hailed as the world's first example of "recyclable housing," which is on the brink of being imploded (both in the play and in real life). Despite the impending destruction of the tower, Milo (along with his rubber ducky, Fumio) refuses to leave. We witness his final day in the tower and take a new look at architecture, human habitat, and a sustainable society. Powered entirely by sustainable energy, the transformative set is designed and constructed out of recycled materials, and uses no electricity from the power grid to run the show. The performance is lit by LED lights that run on a foot powered WEZA generator. These generators are commonly used by organizations like Doctors Without Borders and UNICEF in undeveloped parts of the world to supply power for aid projects as large as hospitals and as small as charging car batteries. Upon entering the theatre, the audience is encouraged to take part by giving the WEZA generator a good pump which will supply the show with the power necessary for that performance. | |||||
Further Reference: | - | |||||
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El Conquistador | ||
| 1st Produced: | Andy Warhol Museum | - - - | ||||
Company: | The Lucidity SuiTheatre Companyase Intercontinental & New York Theatre Workshop | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #55930 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Comedy | |||||
| Parts: | Male | 4 | Female | 3 | ||
Parts other: | - | |||||
Notes: | written by Thaddeus Phillips, Tatiana Mallarino and Victor Mallarino. presented in Spanish with English surtitles | |||||
Synopsis: | the story of Polonio Castro, a Colombian peasant, who after losing his crops (to US drug fumigation) and losing the lottery (for the 17th time) decides to leave his shack in the country and try his luck in the big city. Polonio finds work as the doorman of a fancy high-rise apartment building-a building populated with characters who appear on video phone. As Polonio passes his days, a crazy, dramatic telenovela-style story unfolds involving suspense, seduction, murder and revenge. | |||||
Further Reference: | - | |||||
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