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STEFANO LOVERSO |
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Nationality: n/a Email: n/a Website: n/a |
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Literary Agent: n/a |
Stefano LoVerso has worked extensively as a professional actor in regional and Off-Broadway theatre, film, and TV. Credits include: Saturday Night Live; One Life to Live; Ryan's Hope; Northern Exposure; Rage of Angels II. Much of his work as a director, producer, and writer has been in collaboration with his wife, Mary Irey. Their first writing collaboration was 22 years ago when they co-wrote the one-act Who's Afraid of Scarlett O'Hara, which was produced as a workshop in New York City at Ensemble Studio Theatre, where Mr. LoVerso is a member. Their collaborations have included other plays and adaptations, and also founding the professional theatre company Helper Intermountain Theatre, for which they co-wrote A Christmas Carol. . .more or less.
Plays by Stefano LoVerso
Christmas Carol. . .more or less, A | ||
| 1st Produced: | Heritage Intermountain Theatre (Price, UT, United States) | 1997 | ||||
Company: | n/a | |||||
| 1st Published: | Playscripts, Inc - New York | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #21317 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | 80-100 min Comedy | |||||
| Parts: | Male | 1 | Female | 1 | ||
Parts other: | 1 male, 1 female, 1 either (3-4 actors possible: 1-3 males, 1-3 females) | |||||
Notes: | - | |||||
Synopsis: | Sarah and Charlie, a married couple, run a small theatre that's presenting A Christmas Carol -- until Charlie shows up backstage to say the cast and crew are snowed out. Charlie is planning to split up with Sarah tonight, but he's snowed in. Sarah, furious, capitalizes on Charlie's remarkable memory, and blackmails him into doing the play with her as a duo, relying on scripts when they need to. He plays Scrooge; she plays everyone else. As the performance proceeds, Charlie gets drawn back into his relationship with Sarah. They actually manage to perform much of the play, with their personal story invading the Dickens tale, informing it with dual levels of meaning. | |||||
Further Reference: | - | |||||
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