LISA LEAVERTON   


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   Nationality:
USA
   Literary Agent: *:
n/a
   Email:
   Website:

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Plays by Lisa Leaverton

LISA LEAVERTON
One Plum
1st Produced:
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Company:
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1st Published:
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ISBN/ASIN
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To Buy This Play:
I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page
Genre:
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Parts:
Male
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Female
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Parts Other:
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Notes:
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Synopsis:
A plum ripens and the humans, insects and animals await it, in this exploration of the Garden of Eden myth and comedy of human relations within the natural world.
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LISA LEAVERTON
Perhaps
1st Produced:
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Company:
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1st Published:
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ISBN/ASIN
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To Buy This Play:
I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page
Genre:
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Parts:
Male
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Female
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Parts Other:
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Notes:
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Synopsis:
Audience must decide whether to eat cake freely or by force, at a happy or sad party, in this exploration of action and inaction.
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LISA LEAVERTON
Prelude; The Sea Cares Nothing
1st Produced:
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Company:
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1st Published:
Northwest Playwrights Alliance, 2009
ISBN/ASIN
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To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies
Genre:
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Parts:
Male
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Female
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Parts Other:
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Notes:
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Synopsis:
The sea cares nothing for borders, pacts or treaties, and mingles the blood of its enemies, including Somali pirates, Bengali ship breakers, Greenpeace activists, Burmese commercial fishermen, and Somali fishermen in this eco-drama and poetic exploration of piracy,
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LISA LEAVERTON
Why Love Doesn't Recognize Its Name
1st Produced:
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Company:
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1st Published:
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ISBN/ASIN
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To Buy This Play:
I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page
Genre:
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Parts:
Male
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Female
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Parts Other:
-
Notes:
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Synopsis:
At Lee's Expressive, a shop where broken language is repaired, a variety of customers enter in disrepair, relying upon mechanics of expression to replace worn out expressions, or perform tune-ups as necessary to adjust for expressive precision, occasionally taking a big risk.
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