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Gemma Langford

GEMMA LANGFORD  

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below is a list of Gemma Langford's plays - click on a Play Title for more information

 Grow         This Year Will Be Different         Welcome to Shangri-La

Grow

Synopsis:
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Notes:
part of Shhh... written by Brad Birch, Jon Brittain, Charlene James, Gemma Langford and Chris Urch. Welcome to the show that lifts the lid on some of London's deepest, darkest and sexiest secrets...and they're all true! Five new one act plays based on the anonymous and intimate secrets submitted by our audiences through the collection box in our foyer, Shhhh also heralds the arrival of our new resident writers - the 503Five.

1st Produced:

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Music:
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If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

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Genre:
one act

Parts:
Male:  1            Female:  1            Other:  -

Further Reference:
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This Year Will Be Different

Synopsis:
a brand shiny new year! Will your dreams come true? Will your goals be met? Or will you be hiding under the duvet? Whatever 2012 may bring, start it off right by heading to Theatre503 for our first-week-of-the-year extravaganza. This is new writing with a difference - we've paired playwrights with video artists, animators and illustrators and asked them to create short pieces of theatre that focus on visual storytelling. Based on texts, tweets and photos from members of the public, the resulting show explores just what our annual New Year rituals reveal - and what lies behind all those smiling Facebook pictures. . .

Notes:
written by Tim Arthur. Brad Birch. Jonathan Brittain. Gemma Langford. Mufaro Makubika. Janice Okoh

1st Produced:

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Music:
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To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
collaborative project

Parts:
Male:  3            Female:  3            Other:  -

Further Reference:
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Welcome to Shangri-La

Synopsis:
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Notes:
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1st Produced:
National Theatre Studio, London    -

Company:
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1st Published:
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Music:
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To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
-

Parts:
Male:  -            Female:  -            Other:  -

Further Reference:
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Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.