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Frederick Knott

FREDERICK KNOTT  (1916 - 2002)

 Nationality:    English
email:    n/a     Website:    n/a

Literary Agent:    ICM Partners  


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below is a list of Frederick Knott's plays - click on a Play Title for more information

 Dial 'm' For Murder         Mr Fox Of Venice         Wait Until Dark         Write Me A Murder

Dial 'm' For Murder

Synopsis:
a retired tennis player marries for money then attempts to implicate his wife as a murderess, fortunately the detective is on the ball

Notes:
-

1st Produced:
-    -

Company:
-

1st Published:
Samuel French, London,    -

Music:
-

To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
Play/Drama

Parts:
Male:  4            Female:  1            Other:  -

Further Reference:
-

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Mr Fox Of Venice

Synopsis:
-

Notes:
Based on the novel "The Evil Of The Day" by Thomas Sterling

1st Produced:
Piccadilly Theatre, London    1959

Company:
-

1st Published:
-   -

Music:
-

To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
Play/Drama

Parts:
Male:  -            Female:  -            Other:  -

Further Reference:
-

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Wait Until Dark

Synopsis:
a sinister con-man, Roar, and two exconvicts, Mike and Carlino, are about to meet their match. They have traced the location of a mysterious doll, which they are much interested in, to the Greenwich Village apartment of Sam Hendrix and his blind wife, Susy. Sam had apparently been persuaded by a strange woman to transport the doll across the Canadian border, not knowing that sewn inside were several grams of heroin. When the woman is murdered the situation becomes more urgent. The con-man and his ex-convicts, through a cleverly constructed deception, convince Susy that the police have implicated Sam in the woman's murder and the doll, which she believes is the key to his innocence, is evidence. She refuses to reveal its location, and with the help of a young neighbour, figures out she is the victim of a bizarre charade. But when Roar kills his associates a deadly game of cat and mouse ensues between the two. Susy knows the only way to play fair is by her rules, so when darkness falls she turns off all the lights leaving both of them to manoeuver in the dark until the game ends.

Notes:
-

1st Produced:
New York    -

Company:
-

1st Published:
Samuel French, London, 1964   -

Music:
-

To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
Play/Drama

Parts:
Male:  6            Female:  1            Other:  1g

Further Reference:
-

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Write Me A Murder

Synopsis:
a country estate, two rival brothers, and a mystery writer's story competition ends in murder and plot twists for all involved

Notes:
2nd play

1st Produced:
Brighton    1962

Company:
-

1st Published:
Samuel French, London, 1962   -

Music:
-

To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
Thriller

Parts:
Male:  7            Female:  3            Other:  -

Further Reference:
-

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www.doollee.com comprises a comprehensive online searchable database for plays written in English since the production of Look back In Anger in 1956. Each play listing contains a playwright biography, synopsis, cast size, creative and production team for the premiere production, date and location of the first performance and much more.doollee.com not only defines the World's theatrical repertoire for the first time but also aims to revitalise that repertoire by reintroducing many lost scripts and providing a gateway for locating and clearing rights for a very large number existing scripts. We are delighted to receive information from users where our own research has been unable to locate details on the holder of a play's rights.doollee.com contains a comprehensive listing for each new play written in English produced by professional theatre companies, venues, festivals, commercial producers and once-off-producers from 1956 to the present. It includes adaptations, translations and new versions. The database also includes those plays produced by fringe (unsubsidised) companies and by semi-professional organisations, where the work is deemed to be of particular significance to the repertoire. Thus you will get help with playwright, dramatist, plays, biography, theatres, agent, synopses, cast sizes, production, published, dates, database, research.







Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.