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Kindle Theatre

KINDLE THEATRE  

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below is a list of Kindle Theatre's plays - click on a Play Title for more information

 Come Heavy Sleep         Eat Your Heart Out         Furies, The         In My Father's House

Come Heavy Sleep

Synopsis:
Come Heavy Sleep is a passion-fuelled murder story that takes inspiration from Shakespeare's Othello. This work-in-progress performance tests ideas that will eventually develop into a large-scale ensemble spectacle, fronted by the band The Come Heavies with bold choreography, abstracted narrative and stunning visuals.

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To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

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Eat Your Heart Out

Synopsis:
In the last remaining corner of the human world, three cooks are summoned to create a celebratory meal using only the carcass of their once great kitchen. Inspired by the Baroque era, Flemish paintings and the contemporary obsession with Armageddon, EAT YOUR HEART OUT mixes the leftovers of disaster with the ceremony of dining room in an edible performance which invites the audience to taste the delights presented to them. Life music, immersive staging, and an original menu

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1st Produced:
Brighton: Coachwerks    04 Sep 2009

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To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
piece

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Furies, The

Synopsis:
sixty minute exploration of rage and revenge, which is set up like a heavy metal gig but has its roots in Greek tragedy and its women.
Lyn Gardner, Guardian

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To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
piece

Parts:
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In My Father's House

Synopsis:
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Notes:
work in progress

1st Produced:

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1st Published:
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Music:
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To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
piece

Parts:
Male:  -            Female:  -            Other:  -

Further Reference:
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Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.