HAERRY KIM   


Haerry Kim
   Nationality:
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* If shown, click on the literary agent's name for full contact details and links to all the Playwrights they represent.

Plays by Haerry Kim

HAERRY KIM
Face
1st Produced:
6th soloNOVA Arts Festival
May 2009
Company:
-
1st Published:
-
ISBN/ASIN
-
To Buy This Play:
I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page
Genre:
-
Play/Drama
Parts:
Male
1
Female
-
Parts Other:
-
Notes:
-
Synopsis:
Face is a lyrical rendition about a girl who survived two wars. Kum Ju, now in her 80s, is still fighting to get an official apology from the Japanese government. Based on the book of testimonies of comfort women, the play is also a theatrical exploration about reclaiming memory
- nytheatre.com
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HAERRY KIM
Walking Through the Night
1st Produced:
Midtown International Theatre Festival, NY
2003
Company:
-
1st Published:
-
ISBN/ASIN
-
To Buy This Play:
I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page
Genre:
-
Play/Drama
Parts:
Male
-
Female
0
Parts Other:
-
Notes:
-
Synopsis:
Walking Through the Night is the story of a Korean immigrant family that is caused to reunite following the death of the family's matriarch. The beloved Grandma's passing brings Bada (Suzie Moon) back from California, where she'd moved a year ago. More like fled. That's the ostensible upshot of being the product of an ancient culture that has changed relatively little over the millennia while everything around you screams modernity and rapid-fire change with stentorian clarity. It's a conflict external and internal that could throw any psyche into a schism. In even worse shape, however, is Bada's sister, Hanna, who's three months home after a harrowing trip to Korea that left the once bright 26-year-old traumatized and only slightly better than catatonic. Eventually we are allowed into the arcane recesses of Hanna's mind-and the horrors she witnessed and had inflicted upon her-that bring into full focus the sometimes searing consequences when worlds collide.
nytheatre.com
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