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Christmas Carol, A
Hereafter
Macabaret
Vanishing Point
Wild Blue

	SCOTT KEYS
	Nationality: n/a Email: n/a Website: n/a
	Literary Agent: n/a

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Plays by Scott Keys

Christmas Carol, A

1st Produced:		- - -			- - -
Company:		n/a
1st Published:		Eldridge Publishing Company,		ISBN/ASIN:	-
Music:		-			doollee no	#79075
To Buy This Play:		If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies
		abebooks.com abebooks.co.uk	stageplays.com	amazon.com	amazon.co.uk	amazon.ca
Genre:		Musical
Parts:		Male		-	Female	-
Parts other:		42 cast
Notes:		Music by Scott Keys; lyrics by Scott Keys; book by Craig Sodaro. Based on the book by Charles Dickens
Synopsis:		n/a
Further Reference:		-

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Hereafter

1st Produced:		Porch Light Ensemble, Chicago			1996
Company:		n/a
1st Published:		I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.		ISBN/ASIN:	-
Music:		-			doollee no	#103692
To Buy This Play:		If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies
		abebooks.com abebooks.co.uk	stageplays.com	amazon.com	amazon.co.uk	amazon.ca
Genre:		Musical
Parts:		Male		-	Female	-
Parts other:		-
Notes:		Music by Rob Hartmann; lyrics by Scott Keys and Rob Hartmann; book by Scott Keys
Synopsis:		n/a
Further Reference:		-

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Macabaret

1st Produced:		Duplex, New York			1994
Company:		n/a
1st Published:		I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.		ISBN/ASIN:	-
Music:		-			doollee no	#103693
To Buy This Play:		If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies
		abebooks.com abebooks.co.uk	stageplays.com	amazon.com	amazon.co.uk	amazon.ca
Genre:		Musical
Parts:		Male		-	Female	-
Parts other:		-
Notes:		Music by Rob Hartmann; lyrics by Scott Keys and Rob Hartmann book by Scott Keys
Synopsis:		n/a
Further Reference:		-

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Vanishing Point

1st Produced:		Porchlight Ensemble, Chicago			1998
Company:		n/a
1st Published:		I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.		ISBN/ASIN:	-
Music:		-			doollee no	#103694
To Buy This Play:		If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies
		abebooks.com abebooks.co.uk	stageplays.com	amazon.com	amazon.co.uk	amazon.ca
Genre:		Musical
Parts:		Male		-	Female	-
Parts other:		-
Notes:		Music by Robb Hartmann; lyrics by Rob Hartmann; Scott Keys; Liv Cummins; original concept Scott Keys; book by Liv Cummins
Synopsis:		Three women who went missing Amelia Earhart, Agatha Christie and Aimee Semple McPherson. Somehow the three women all meet
Further Reference:		-

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Wild Blue

1st Produced:		Human Race Theatre, Dayton, Ohio			2003
Company:		n/a
1st Published:		I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.		ISBN/ASIN:	-
Music:		-			doollee no	#103695
To Buy This Play:		If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies
		abebooks.com abebooks.co.uk	stageplays.com	amazon.com	amazon.co.uk	amazon.ca
Genre:		Musical
Parts:		Male		-	Female	-
Parts other:		-
Notes:		Music by Rob Hartmann; lyrics by Scott Keys and Rob Hartmann; book by Scott Keys
Synopsis:		n/a
Further Reference:		-

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Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.