doollee banner

Last Updated: 15 Jan 12

contact doollee


Google
web doollee.com


Click on a Play title below for more information

Molly Kazan

MOLLY KAZAN   (1907 - 1963)

Nationality:   USA    Email:   n/a   Website:   n/a

Literary Agent:  n/a

Please send me a biography and information about this Playwright
xxx doollee

Plays by Molly Kazan

Alligators, The

1st Produced:

- - -

- - -

Company:

n/a

1st Published:

Samuel French Inc, New York 1960

ISBN/ASIN:

-

Music:

-

doollee no

#135708

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

One act

Parts:

Male

-

Female

-

Parts other:

-

Notes:

-

Synopsis:

n/a

Further Reference:

-


Top of Page Top of Page


Egghead, The

1st Produced:

- - -

1957

Company:

n/a

1st Published:

Dramatists Play Service, NY, 1958

ISBN/ASIN:

-

Music:

-

doollee no

#18730

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Play/Drama

Parts:

Male

7

Female

4

Parts other:

-

Notes:

-

Synopsis:

. . .there is no doubt of its tense theatrical effectiveness. -NY Post. "THE EGGHEAD is a play that had to be written, and I think Mrs. Kazan has written it well. . .As a play I thought it was always thoughtful, often humorous and frequently quite touching. Mrs. Kazan has created a very realistic atmosphere in this college household and the people move about and speak with reality." -NY Journal-American.

Further Reference:

-


Top of Page Top of Page


Rosemary

1st Produced:

- - -

- - -

Company:

n/a

1st Published:

Hart Stenographic Bureau 1960

ISBN/ASIN:

-

Music:

-

doollee no

#135709

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

One act

Parts:

Male

-

Female

-

Parts other:

-

Notes:

-

Synopsis:

n/a

Further Reference:

-


Top of Page Top of Page


Buy Plays with Doollee

Each page of doollee.com has links to play/book outlets, either directly to the Publisher, through Stageplays.com and Amazon to the second hand and 1st editions of AbeBooks. These links will automatically take you to the relevant area obviating the need for further search.




We add submitted information to the site daily and all contributions we receive help make this the most meaningful and definitive guide to modern playwrights in the world. So whether you are a Playwright who wishes to make their entry definitive, an unlisted Playwright or a User with a tale to tell - we want to hear from you.










Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.