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Last Updated: 28 Mar 12

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David Jenness

DAVID JENNESS   

Nationality:   n/a    Email:   n/a   Website:   n/a

Literary Agent:  n/a

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Plays by David Jenness

Legend Of The Gypsy Bride

1st Produced:

Mazer Theatre, NY

2005

Company:

Sacred Clowns Productions

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#81859

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

n/a

Parts:

Male

-

Female

-

Parts other:

-

Notes:

by David Jenness and the Gypsies of Transylvania

Synopsis:

n/a

Further Reference:

-


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Viva Patshiva

1st Produced:

Interart Theatre, New York City

2009

Company:

n/a

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#98421

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

gypsy rock opera

Parts:

Male

3

Female

3

Parts other:

-

Notes:

-

Synopsis:

A musical one-hit wonder has become hooked on the temptations of the rock star lifestyle and lost his passion for music. On a drinking bender, he heads to the Brooklyn waterfront, determined to drown his instrument and maybe himself, where he is saved from oblivion by a mysterious band of foreign travelers living under the highway. He tags along with the volatile gang of Roma (Gypsies) as they embark on an adventure to raise a desperate payment to a Brighton Beach gangster. The family band auditions for a seedy strip club owner with dreams of being a music business mogul. He spots the fiery, raven-haired Roma chanteuse as a talent to exploit. In turn, her cousins conjure a plan to offer her hand in marriage for a fee that will cover the gangsters demand. The drunken wedding celebration that ensues leads to complications and culminates in a battle of Love and Death on the Brooklyn Bridge.
nytheatre.com

Further Reference:

-


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Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.