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Andy Jeffers

ANDY JEFFERS   

Nationality:   n/a    Email:   n/a   Website:   n/a

Literary Agent:  n/a

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Plays by Andy Jeffers

Deja Vu

1st Produced:

- - -

- - -

Company:

n/a

1st Published:

SchoolPlay Productions Ltd, Colchester, Essex, UK >>>, 1994

ISBN/ASIN:

-

Music:

-

doollee no

#50151

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

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abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Youth music-theatre, 80 min Youth Audience

Parts:

Male

4

Female

4

Parts other:

extras

Notes:

written By David Wenden, Andy Jeffers And Ward Baker, Music By Ward Baker

Synopsis:

Two families, each with their own problems, each with their own teenagers, face up to the realisation that family life has to be worked at. Taking situations and people for granted can lead to unhappiness and solitude. For the parents, there is a strange feeling that they have been here before - and probably will again.

Further Reference:

-


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Parallel Lines

1st Produced:

- - -

- - -

Company:

n/a

1st Published:

in Four Victorian melodramas, SchoolPlay Productions Ltd, Colchester, Essex, UK >>>, 1995

ISBN/ASIN:

-

Music:

-

doollee no

#50525

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Youth musical theatre, 80 min Youth Audience

Parts:

Male

-

Female

-

Parts other:

17 main speaking parts, extras

Notes:

written By David Wenden, Andy Jeffers And Ward Baker, Music By Ward Baker & Miranda Powell

Synopsis:

Life throws up many challenges and problems, failures and successes, triumphs and defeats; and at each age of man, worries are relevant and no less important. Each contrasting scene illustrates that what may appear trivial to one may be vital to another; each story has its antithesis; each runs on Parallel Lines.

Further Reference:

-


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Wishing Box, The

1st Produced:

- - -

- - -

Company:

n/a

1st Published:

SchoolPlay Productions Ltd, Colchester, Essex, UK >>>, 1996

ISBN/ASIN:

-

Music:

-

doollee no

#50152

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

YouthMusical Play, 75 min Youth Audience

Parts:

Male

-

Female

-

Parts other:

-

Notes:

written By David Wenden, Andy Jeffers And Ward Baker, Music By Ward Baker

Synopsis:

Everybody dreams that they could have whatever they wish. Unfortunately we don't always wish for the things which would be best for us. Perhaps we can learn from living out our wishes and experience what it is like when we wish upon a star.

Further Reference:

-


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Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.