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TAREK ISKANDER |
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Nationality: n/a Email: n/a Website: n/a |
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Literary Agent: n/a |
Please send me a biography and information about this Playwright
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Plays by Tarek Iskander |
Recognition Of Sakuntala, The | ||
| 1st Produced: | Union, London | 2009 | ||||
Company: | Community 20 and Grit Productions | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #95311 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Adaptation | |||||
| Parts: | Male | - | Female | - | ||
Parts other: | 10 performers | |||||
Notes: | Original Playwright - Kalidasa, Adapted By Tarek Iskander, translated by Wil Johnson | |||||
Synopsis: | Masterpiece of early Indian drama - written around the fourth century. King Dusyanta is out hunting when he falls in love with Sakuntala - a poetic and religous exploration of love | |||||
Further Reference: | - | |||||
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Shiver | ||
| 1st Produced: | 27 Sep 2011 | |||||
Company: | Theatre6 | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #132476 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | piece | |||||
| Parts: | Male | 1 | Female | 1 | ||
Parts other: | - | |||||
Notes: | - | |||||
Synopsis: | What happens when a fairytale ends? 5 years after the events of 'The Tempest', Prospero and Miranda are haunted by memories of the island. Using Shakespeare's original language, this new adaptation examines what happens to a father daughter relationship that is scarred by estrangement, manipulation, and the pain of 'disenchantment'. | |||||
Further Reference: | - | |||||
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