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Last Updated: 14 May 12

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 Iomha Ildanach

IOMHA ILDANACH   

Nationality:   n/a    Email:   n/a   Website:   n/a

Literary Agent:  n/a

Please send me a biography and information about this Playwright
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Plays by Iomha Ildanach

Invasion

1st Produced:

Lombard Street Studio, Trinity College, Dublin

1987

Company:

Crypt Arts Centre, Dublin

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#51853

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

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abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Physical/Devised Theatre Piece

Parts:

Male

4

Female

2

Parts other:

-

Notes:

devised by the company

Synopsis:

An exploration of a variety of themes found in An Lebor Gabala (The Book Of Invasions).

Further Reference:

-


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New World Order

1st Produced:

Crypt Arts Centre, Dublin

1999

Company:

Crypt Arts Centre, Dublin

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#51854

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Physical/Devised Theatre Piece

Parts:

Male

3

Female

2

Parts other:

-

Notes:

devised by the company

Synopsis:

An examination of the politics, possibilities and dangers of the information age.

Further Reference:

-


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Quest, The

1st Produced:

Crypt Arts Centre, Dublin

1992

Company:

Crypt Arts Centre, Dublin

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#51855

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Physical/Devised Theatre Piece

Parts:

Male

3

Female

3

Parts other:

-

Notes:

devised by the company

Synopsis:

The Quest is a search for identity by six characters who are obsessed with the Irish mythological story of Diarmaid and Grainne and their flight from Fionn mac Cumhaill. A conference on Irish myth and legend is interrupted by characters from Toraiocht Dhiarmada & Ghrainne appearing amidst the academic discussion and things take a turn for the surreal.

Further Reference:

-


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Scenes from a Haemorrhage

1st Produced:

Andrews Lane Theatre, Dublin >>>

1996

Company:

Crypt Arts Centre, Dublin

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#51856

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Physical/Devised Theatre Piece

Parts:

Male

2

Female

-

Parts other:

-

Notes:

devised by the company

Synopsis:

Kruger O'Sullivan, the funniest Irish man since Blind Brother Hennessy and the navigator on the first Brendan Voyage, is experiencing a haemorrhage. Is it the beginnings of a brain disorder? Are the past and future beginning to bleed into one another? Or is he in fact the reincarnation of The Great Hugh O'Neill?

Further Reference:

-


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Some Voices

1st Produced:

Project Cube

2000

Company:

Crypt Arts Centre, Dublin

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#51857

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Physical/Devised Theatre Piece

Parts:

Male

-

Female

-

Parts other:

-

Notes:

devised by the company

Synopsis:

n/a

Further Reference:

-


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Valparaiso

1st Produced:

Project Cube

2000

Company:

Crypt Arts Centre, Dublin

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#51858

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Physical/Devised Theatre Piece

Parts:

Male

-

Female

-

Parts other:

-

Notes:

devised by the company

Synopsis:

n/a

Further Reference:

-


Top of Page Top of Page


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Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.