MONICA HUNKEN   


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Plays by Monica Hunken

MONICA HUNKEN
Blondie of Arabia
1st Produced:
03 Jun 2010
Company:
-
1st Published:
-
ISBN/ASIN
-
To Buy This Play:
I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page
Genre:
Solo show/ comedy
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Parts:
Male
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Female
1
Parts Other:
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Notes:
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Synopsis:
The story of an American Woman's bicycle journey through the heart of the Middle East. Alone. Two weeks before Christmas, Monica Hunken flew into the heart of the Persian Gulf to cater at a royal wedding party and ended up biking across the Middle East. This play chronicles the true story of her desert odyssey. Watch the broke, blonde American swerve her bicycle through close encounters with military capture, sex tourism, Gulf royalty and near death. As Hunken perseveres in her adventure as a parade of one, defeating trouble at every turn, indulging her super-hero fetishism, she plays over 20 characters in this 80 minute comedy that brought audiences to their feet every show.
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MONICA HUNKEN
Reading the Water
1st Produced:
HERE Arts Center
145 6th Avenue, New York, NY 10013
-
Company:
-
1st Published:
-
ISBN/ASIN
-
To Buy This Play:
I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page
Genre:
Solo show/ Drama
-
Parts:
Male
-
Female
1
Parts Other:
-
Notes:
-
Synopsis:
Reading the Water, written and performed by Monica Hunken, is a surreal journey of a woman exploring the mysterious life-and death-of her scientist father. An intimate portrait of the unknown father unfolds as the young woman travels through tales of deep-sea dives, top-secret government experiments, madcap relatives, lawsuits and an untimely death. This one-woman show attempts to uncover the life of an introverted scientist in love with the sea, and is a personal investigation of identity and loss. An engineer at Hughes Research Laboratory (HRL) in Malibu, California for several years until he began to develop health problems, the author's father died from lung cancer that he attributed to long-term exposure to heavy metals at HRL. In the last year of his life, he took HRL to court, a battle that the author's mother continued to fight, but subsequently lost after his death, leaving her to raise two daughters alone. Last summer, the author returned to California to interview and film her father's co-workers, friends and family in an effort to better understand the circumstances of his death and to learn about the man himself. The story unfolds in the form of an exhilarating investigation: it begins underwater during a scuba dive, shifts into a confrontation with the corporate institution itself in an imaginary boxing match, then delves deeper as the author interviews his eccentric, scientist colleagues. The author transforms in and out of each character seamlessly, even managing a four-person conversation. Although the play upholds a documentary style, surreal movement sequences suggest the father's deteriorating health. The author maintains momentum with highly physical storytelling. Interspersed with excruciating family moments, the experience reveals heartbreaking, and sometimes conflicting, truths.
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