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James Howell

JAMES HOWELL  

 Nationality:    Canadian
email:    n/a     Website:    Click here

Literary Agent:    n/a


Canadian James Howell studied with European Clown/Buffon master Philippe Gaulier in Paris. Lay Down and Love Me again has played in England, France, Scotland, Australia, Czech Republic, Ireland, Canada, New Zealand and the United States. The dark and comic solo show is a series of faux confessions and reminiscences designed to satirize a theatre of hyperbole and a culture of self-obsession.

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below is a list of James Howell's plays - click on a Play Title for more information

 Lay Down & Love Me Again

Lay Down & Love Me Again

Synopsis:
Kevin wants to stage a solo show but is still pajama-clad in his bedroom. He performs anyway for an imaginary audience. Skipping gleefully between subjects, the one constant is absurdity

Notes:
part of Manchester's 24:7 Theatre Festival

1st Produced:
Midland, Manchester    2008

Company:
-

1st Published:
-   -

Music:
-

To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
45 min Comedy / Storytelling One act

Parts:
Male:  1            Female:  -            Other:  -

Further Reference:
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Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.