ADRIAN HORNSBY (1977 - )
| Nationality: | British |
| Literary Agent: *: | n/a |
| Email: | |
| Website: |
* If shown, click on the literary agent's name for full contact details and links to all the Playwrights they represent.
Plays by Adrian Hornsby
Marion Davies & the Moon |
| 1st Produced: | Sudden Théâtre, Paris | 2003 | ||||
| Company: | Kilometer Zero | |||||
| 1st Published: | - | ISBN | - | |||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||||
| Genre: | Mixed-media / avant-garde | Piece | Parts: | Male | 2 | Female | 1 |
| Parts Other: | - | |||||
| Notes: | - | |||||
| Synopsis: | A love triangle; murderous fantasies; old warped records; a sense of grace or belief such as comes with a true sense of powerlessness. We tell stories to divest ourselves of something else. | |||||
Three Parts |
| 1st Produced: | Espace Créateur, Paris | 2001 | ||||
| Company: | - | |||||
| 1st Published: | Kilometer Zero, 2003 | ISBN | - | |||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||||
| Genre: | Avant-garde | Piece | Parts: | Male | 5 | Female | 4 |
| Parts Other: | - | |||||
| Notes: | - | |||||
| Synopsis: | An exploration into the act of remembering in which voices are used like the parts of a string quartet. | |||||
Until I Get My Gorgeous Wings |
| 1st Produced: | 2006 | |||||
| Company: | Kilometer Zero for Shortcuts 2006 | |||||
| 1st Published: | Kilometer Zero, 2006 | ISBN | - | |||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||||
| Genre: | Mixed-media / avant-garde | Piece | Parts: | Male | 1 | Female | 4 |
| Parts Other: | - | |||||
| Notes: | - | |||||
| Synopsis: | A young woman returns to her home by the sea after a dislocating period in London. A man sits in the kitchen of his ground floor maisonette, wondering where his wife has gone. Passing connections between the two stories reveal a shadowy portrait of the capital, composed of assumed names and lost pasts. | |||||