KAZUKO HOHKI |
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Nationality: n/a Email: n/a Website: Click here to visit |
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Literary Agent: n/a |
Please send me a biography and information about this Playwright
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Plays by Kazuko Hohki |
Club Monkey | ||
| 1st Produced: | 1988 | |||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #16780 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | n/a | |||||
| Parts: | Male | - | Female | - | ||
Parts other: | - | |||||
Notes: | - | |||||
Synopsis: |
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Further Reference: | - | |||||
Evidence For The Existence Of Borrowers | ||
| 1st Produced: | 2004 | |||||
Company: | Your Imagination for Octoberfest | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #41388 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Play/Drama | |||||
| Parts: | Male | 3 | Female | - | ||
Parts other: | - | |||||
Notes: | devised by Kazuko Hohki, Andy Box & Mervyn Millar | |||||
Synopsis: | n/a | |||||
Further Reference: | - | |||||
Great Escape, The(A Borrower's Tale | ||
| 1st Produced: | 04 Dec 2010 | |||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #123205 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Youth Audience | |||||
| Parts: | Male | 1 | Female | 1 | ||
Parts other: | - | |||||
Notes: | inspired by the original novel The Borrowers by Mary Norton. Conceived and Created by Kazuko Hohki. Written and Designed by Kazuko Hohki and Andy Cox | |||||
Synopsis: | Using your super sleuth skills, search our building to discover tiny clues for the existence of Borrowers (the small people who live under the floorboards). Will you be successful finding Bob the Borrower and helping him escape the evil clutches of the KBD (Keep Borrowers Down)? | |||||
Further Reference: | - | |||||
My Husband Is a Spaceman | ||
| 1st Produced: | 2001 | |||||
Company: | Japan 2001 Festival | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #16781 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Solo Play/Drama | |||||
| Parts: | Male | 1 | Female | - | ||
Parts other: | - | |||||
Notes: | - | |||||
Synopsis: | Kazuko Hohki (of Frank Chickens) tells the funny and moving tale of an anglophile Japanese office girl who marries an 'unworldly' English anthropologist. Storytelling with music, song and animation. 'Completely delightful' Time Out Critics Choice. | |||||
Further Reference: | - | |||||
Toothless | ||
| 1st Produced: | 2006 | |||||
Company: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #57917 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | n/a | |||||
| Parts: | Male | - | Female | - | ||
Parts other: | - | |||||
Notes: | part of BAC's Matters of Life and Death Festival a season of theatre about death and dying | |||||
Synopsis: | Death has been described as the last great taboo of our age. Yet it seems to me that death and dying have been well and truly outed. Open a newspaper and you'll find John Diamond facing the consequences of cancer. Turn on the TV and if Oprah isn't helping a studio of people overcome their grief, some soap opera will be showing an individual being snuffed out by a rate incurable disease that nobody has ever heard of, or an entire community rubbed out by a billion-to-one catastrophe. Not since the 17th century and the Jacobean revenge playwrights has popular culture been quite so obsessed by death. Since Diana died and brought funerals back into fashion, we have all become death groupies. In this context, Matters of Life and Death, a season of theatre about death and dying at London's BAC, seems slightly less essential, particularly since so few of the shows get to grips with the subject matter. There has been some terrific theatre work on the theme of dying: it recently proved good West End box office in Margaret Edson's Wit, about an American professor who dies of ovarian cancer. Frantic Assembly's immensely touching Hymns, about the rising toll of young male suicides (which had two performances in the BAC season), and Improbable's Coma have taken death to the cutting edge of performance. But after a week at BAC I feel bombarded by statistics and jokes. Why do so many companies fail to take this subject seriously? Or simply treat it like an actuarial statement? Is it that many of the companies here are' made up of young people who have not yet confronted their own mortality. | |||||
Further Reference: | - | |||||

