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Last Updated: 04 Mar 12

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Zoe Hogan

ZOE HOGAN   

Nationality:   Australian    Email:   n/a   Website:   n/a

Literary Agent:  n/a

In 2010, Zoe Hogan was a member of Australian Theatre for Young Peoples Fresh Ink ensemble and in 2011 her work was performed as part of Tell It Like It Isnt (ATYP). Her script Small Life was selected for development at Off the Shelf, Fraser Studios, in 2010. Zoe was a delegate at World Interplay 2009, has had her work performed by Sydney University Dramatic Society and holds a BA in Creative Writing from UTS. Her first play Gosling won the Sydney Theatre Company Young Playwrights Award in 2003. Zoe was staff writer for Act Now, a youth activism website run by the Inspire Foundation. She currently works as a writer for an international development organisation.

Plays by Zoe Hogan

Deaf

1st Produced:

Griffin Theatre Festival of new Writing

- - -

Company:

n/a

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#137081

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

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Genre:

n/a

Parts:

Male

-

Female

-

Parts other:

-

Notes:

-

Synopsis:

n/a

Further Reference:

-


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Eve

1st Produced:

New Theatre

- - -

Company:

n/a

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#137082

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

n/a

Parts:

Male

-

Female

-

Parts other:

-

Notes:

-

Synopsis:

n/a

Further Reference:

-


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Gosling

1st Produced:

- - -

- - -

Company:

n/a

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#125822

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Play/Drama

Parts:

Male

-

Female

-

Parts other:

-

Notes:

Sydney Theatre Company Young Playwrights Award

Synopsis:

n/a

Further Reference:

-


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Principal

1st Produced:

Tell It Like It Isn't, atyp

2011

Company:

n/a

1st Published:

in The Voices Project, Currency Press, Australia (2012) >>>

ISBN/ASIN:

978-0-86819-936-8

Music:

-

doollee no

#137067

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

short monologue

Parts:

Male

-

Female

1

Parts other:

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Notes:

Part of The Voices Project

Principal

A short, sharp, evocative collection of monologues written by some of Australias leading young and established playwrights. Each piece is crafted for an actor aged between 16 and 20. Subtle, uplifting, poetic and funny, these pieces are as exciting and diverse as the young actors that perform them.

Further Reference:

-


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Small Life

1st Produced:

45 min segment @ Riverside Theatre, Parramatta, Australia

15 Mar 2011

Company:

n/a

1st Published:

Australian Script Centre

ISBN/ASIN:

-

Music:

-

doollee no

#125823

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Play/Drama

Parts:

Male

2

Female

2

Parts other:

-

Notes:

-

Synopsis:

One child teaches a younger one the complexity and intricacy of begging on an Indian street corner, while a western documentary maker fails to immerse herself in the lives she seeks to capture on film. Corruption is endemic, the heat is oppressive and hope an eternal, unreachable glimmer  at least for now.

Further Reference:

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Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.