n/a

n/a

National Theatre, London

1993

-

Faber & Faber, London, 1993

-

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-

Play/Drama

11

6

-

-

This is the final play in a series of three, following Racing Demon and Murmuring Judges. As with the other plays, Hare has created a fiction based on fact, and for his research into the workings of the Labour Party he was granted access to top-level Labour Party meetings

Lytlelton Theatre, National Theatre, London >>>

1997

-

Faber & Faber, London, 1997

-

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-

Play/Drama

3

3

-

-

1979. Esme Allen is a well-known West End actress at just the moment when the West End is ceasing to offer actors a regular way of life. The visit of her daughter, Amy, with a new boyfriend sets in train a series of events which only find their shape sixteen years later. David Hare mixes love, death and the theatre in a heady and original way. Period: 1979, 1995.

Cottesloe Theatre, National Theatre, London >>>

1986

-

Faber & Faber, London, 1986

-

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Domestic 1 Act

One Act

2

2

-

-

set in a Russian museum. It features Nedda di Montezemolo as a Russian aristocrat living under the Communist regime, Gail Adamitis as her daughter, Lionel Goldbart as her daughter's lover and Ron Megason as a museum assistant. The title comes from a painting by Matisse

Lyttelton Theatre, National Theatre, London >>>

2009

-

Faber & Faber, London, 2009

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
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Reading

-

1

-

-

-

To celebrate the twentieth anniversary of the fall of the Berlin Wall, Hare reads a 55-minute meditation about Germany's restored capital - both what it represents in European history, and the peculiar part it has played in his own life. The reading is directed by Stephen Daldry

Donmar Warehouse Theatre, London >>>

1998

-

Faber & Faber, London, 1998

-

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-

Adaptation

1

1

-

Original Playwright - Arthur Schnitzler (La Ronde)

a daisy chain of ten sexual encounters between five women and five men who are portrayed by on actor and one actress, the action is moved from the original Vienna to Modern London

Nottingham

1973

-

Eyre Methuen, London, 1973

-

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-

Play/Drama

15

4

-

written with Howard Brenton (TV 1975)

Property business in small town in Midlands expands world wide on death of founder, political corruption then bankruptcy leads to heroin importation

Theatre Royal Haymarket, London

2002

-

Faber & Faber, London, 2002

-

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-

Play/Drama

-

2

-

-

Life being what it is, one dreams of revenge. Gaugin's epithet serves as the motto for this moral tale of two women, both in their 60s, whose lives are interwoven in ways neither of them yet understands. Madeleine Palmer is a retired curator, living alone on the Isle of Wight. One day Francis Beale comes to her door, a woman she has met only once, and who is now enjoying sudden success, late in life, as a popular novelist. The progress of a single night comes fascinatingly to echo the hidden course of their lives . . .

Almeida Theatre, London, EUR >>>

2007

-

Faber and Faber, (not for commercial sale), 2007

-

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-

Play/Drama

4

3

-

Samuel Adamson, Moira Buffini, David Hare, Charlotte Jones, Frank McGuinness and Roy Williams each wrote a link for the Almeida's first chain play, performed for one night only as the theatre's major fund-raising event.

-

Film by Louis Malle

1992

-

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

Screenplay

-

-

-

Large Cast

adapted from the novel by Josephine Hart

The first person narrator of the novel is Dr Stephen Fleming (Irons in the movie), a medical doctor turned politician whose promotion from MP to cabinet member is imminent. Just then Fleming is casually introduced to his grown-up son's enigmatic girlfriend Anna (Binoche) and helplessly falls for her. For as long as it lasts, Martyn, his son, has no idea that his father is having an extra-marital affair with his girlfriend (and later fiancée), and Anna does not seem to mind being a young man's partner and simultaneously his father's lover and object of desire. Fleming enjoys a brief period of sexual bliss meeting Anna in various European cities and having sex with her in unlikely places. Eventually, he buys her a small flat in central London where they meet on a regular basis. One day Martyn happens to get hold of that address and, curious, goes there to investigate. He climbs up a flight of stairs to the top floor, opens the unlocked door to the apartment, and is shocked to see his father making love to his

Edinburgh

1971

-

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

-

Sketch

-

-

-

in Christmas Present

Playhouse, Nottingham

1978

-

Plays & Players, May/June, London, 1978

-

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-

Play/Drama

-

-

-

written with Brenton, Griffiths and Cambell

Baby dies from chemicals in Nuzzles Milk Powder, wife disappears,, husband jailed, wickedness all round.

BBC

1980

-

Faber & Faber, London, 1980

-

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Screenplay

-

13

4

-

-

Almeida Theatre, London, EUR >>>

2006

-

Faber & Faber, London, 2006

-

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-

Adaptation

16

5

-

Original Playwright - Maxim Gorky. In A version by David Hare from a literal translation by Charlotte Pike

1905. Russia is at a turning point. Zakhar Bardin is from the landowning class, but is now the uneasy owner of a factory. His managing director is determined to face down militant workers on a point of principle. But the shutting of the business has tragic consequences for everyone concerned. Gorky's extraordinary play, which was written in exile and banned in his home country, presents a panoramic view of a restless society, with a bourgeoisie no longer sure of its own values, and a working class steadily facing up to the terrifying sacrifices ahead. Described by Ronald Bryden in the Observer in 1971 as 'a real discovery . . . the missing link between Chekhov and the Russian revolution', Enemies has a dramatic breadth, humour and ambition unique to Gorky.

Amsterdam

1972

-

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

20 scenes with songs

One Act

-

-

-

written with Bicat, Clark, Edgar, Fuchs, Brenton, Wilson

Episodic historical look at the British in Northern Ireland. Loyalist view followed by bias towards IRA with torturing British Soldiers and Orange Lodge excrement

London

1975

Joint Stock

Faber & Faber, London, 1976

-

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-

Adaptation

-

-

30 parts

book by William Hinton

how one village 400 miles from Beijing comes to terms with communism

-

1996

-

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

Screenplay

-

-

-

-

-

WOW Cafe, NY

2005

WOW Cafe Theater

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

-

Translation

-

-

-

Original Playwright - Bertolt Brecht

-

Cottesloe Theatre, National Theatre, London, EUR >>>

2008

National Theatre Company

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

-

Play/Drama

5

4

-

-

Once it was possible to do good by being good. Now the only way to do good is by being clever. Nothing is more important to a modern political party than fund-raising. But the values of the donors can't always coincide with the professed beliefs of the party. And family scandal within the cabinet has the potential to throw both the money-raisers and the money-spenders into chaos. This richly imagined ensemble play about British public life looks at the way business, media and politics are now intertwined to nobody's advantage, as, in an unforgiving world, one character after another passes through Gethsemane.

Unproduced

-

-

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

-

Play/Drama

-

-

-

typescript at Harry Ransom Humanities Research Center

Hamstead Theatre, London

1972

-

Faber & Faber, London, 1972

-

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-

Play/Drama

4

3

-

-

The study of a burnt out Labour MP who sold ourt

Televised

1991

-

Faber & Faber, London, 1991

-

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T.V. Play

-

12

6

-

-

Lytlelton Theatre, National Theatre, London >>>

2005

National Theatre, London >>>

Faber & Faber, London, 2005

-

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-

Adaptation

-

17

-

Original Playwright - Federico Garcia Lorca (1936)

Five daughters live together in a single household with a tyrannical mother. When the father of all but the eldest girl dies, a cynical marriage is advanced which will have tragic consequences for the whole family. Lorca's fascinatingly modern play, rendered here in a new English version, speaks as powerfully as a political metaphor of oppression as it does as domestic drama.

London

1969

-

in "Gambit 17", London, 1971

-

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-

One Act

-

-

-

-

-

London

1968

-

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

-

Adaptation

4

1

-

written with Tony Bicet

adaptation of the diaries of Kafka

Almeida Theatre, London >>>

1995

-

Methuen Drama, London >>>, 1997

-

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-

Adaptation

12

5

extras

Original Playwright - Anton Chekhov

disillusioned Russian estate owner has fallen out of love with his wife, his land and his friends

Almeida Theatre, London >>>

1998

-

Faber & Faber, London, 1998

-

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-

Biographical

6

1

-

-

relationship between Oscar Wilde and Bosie whose true subject is not Wilde, but love; not Bosie, but betrayal

New York

1987

-

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

-

Opera

-

-

-

music by Nick Bicat, lyrics by Tim Rose Price

the central character makes a painful journey to Morocco, only to discover, as some transsecuals do, that a change of gender does not necessarily bring a solution to all life's problems.

Comedy Theatre, London

1974

-

Faber & Faber, London, 1973

-

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-

Play/Drama

6

2

-

-

corruption in Guildford is uncovered as young arms dealer investigates the disappearance of his sister

Edinburgh

1971

-

in "Plays & Players" Nov, 1971

-

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-

Play/Drama

4

2

-

written by Brenton, Clark, Griffiths, Hare, Poliakoff, Stoddart, Wilson

Fellatio as rape gets perpetrator ten years and pregnant heroin addict victim committed to Holloway. Denouement as main characters are washed in blood and made into jam.

BBC

1978

-

Faber & Faber, London, 1978

-

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Television

-

8

2

extras

-

a middle class young woman's unceremonious introduction to specialist war work

Almeida Theatre, London >>>

1994

-

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

-

Adaptation

-

-

-

Original Playwright - Bertolt Brecht

London

1983

-

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

-

Sketch

-

-

-

in The Big One

Unproduced

-

-

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

-

Play/Drama

-

-

-

typescript at Harry Ransom Humanities Research Center

Adelaide: Fringe Festival, Australia, ANZ >>>

1982

-

Faber & Faber, London, 1982

-

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-

Play/Drama

14

15

-

-

when they attend a World poverty conference in Bombay

Olivier Theatre, National Theatre, London >>>

1995

-

Methuen Drama, London >>>, 1995

-

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-

Adaptation

32

6

-

Original Playwright - Bertolt Brecht

National Theatre, London

1991

-

Faber & Faber, London, 1991

-

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-

Play/Drama

20

6

-

-

A young lawyer's involvement in her first case leads her through the criminal justice system, which is cracking at the seams. The text of this play was extensively revised by the author for the National Theatre's revival of the play and performance of the entire trilogy in Autumn 1993

Royal Court Theatre, London >>>

2000

-

Faber & Faber, London, 2001

-

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-

Play/Drama

2

1

-

-

continues the run of work in which Hare has sought to describe the atmosphere of contemporary Britain. A successful entrepreneur, Victor Quinn, employs a young poet, Paul Peplow, to decorate the legend of his fast-growing Internet business. Nothing prepares either man for the outcome

-

1989

-

Faber & Faber, London, 1989

-

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Screenplay

-

-

-

-

-

Charlotte Rampling plays a more challenging role than usual in this anti-Thatcherite tale with a which is subtle enough to catch the ironies of life and the foibles of homo sapiens. Its staginess and somewhat literary and very English dialogue and manner makes for a non-naturalistic unfolding of a story about extremes and the everyday

Theare Royal, York

2003

Out of Joint Theatre Company, UK >>>

Faber & Faber, London, 2003

-

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-

Play/Drama

5

4

cast play 40 parts

-

In 1991, before an election they did not expect to win, the Conservative government made a fateful decision to privatise the railways. Now, twelve years later, as a result of that privatisation, the taxpayer subsidizes rail more lavishly than ever before. In The Permanent Way, David Hare, working with actors from the Out of joint Company, tells the intricate, madcap story of a dream gone sour, by gathering together the first hand accounts of those most intimately involved - from every level of the system. Funny, tragic and compelling, the play offers an extraordinary parable of British mismanagement that raises questions about the recent history of the country

Almeida Theatre @ Kings X, London >>>

2001

Tara Ulemek Foundation

Faber & Faber, London, 2002

978-0571210510

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-

Adaptation

15

5

-

Original Playwright - Anton Chekhov

This funny and romantic tale tells of a Russian schoolmaster facing up to the implications of being irresistibly attractive to four different women

Lytlelton Theatre, National Theatre, London >>>

1978

-

Faber & Faber, London, 1978

-

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-

Play/Drama

9

5

-

-

A theatrical vision of a world that was won and lost during and after World War II.

Lyttleton, National Theatre, London, EUR >>>

2009

-

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

-

Play/Drama

-

-

-

-

On 15 September 2008, capitalism came to a grinding halt. As sub-prime mortgages and toxic securities continued to dominate the headlines, this spring the National Theatre asked David Hare to write an urgent and immediate work to be staged this autumn that sought to find out what had happened, and why. Meeting with many of the key players from the financial world, David Hare has created The Power of Yes, which is not so much a play as a jaw-dropping account of how, as the banks went bust, capitalism was replaced by a socialism that bailed out the rich alone.

National Theatre, London

1985

-

Methuen Drama, London >>>, 1985

-

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-

Play/Drama

-

-

Large Cast

written with Howard Brenton

only death provides the real climate for love - modern retelling of the myth of Orpheus

National Theatre, London

1990

-

Faber & Faber, London, 1990

-

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-

Play/Drama

9

3

extras

-

team of clergymen struggle to make sense of their mission in South London as the arrival of a zealous young curate intensifies their personal and professional problems

New, London

1971

National Theatre

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

-

Adaptation

9

2

extras

Original Playwright - Luigi Pirandello. English Version by David Hare and Roberty Rietty

man appears to condone his wife's affair, but she will never be entirely free

Thames TV

1983

-

Faber & Faber, London, 1983

-

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T.V. Play

-

10

2

-

-

1974 Barbara works in Saigon for a British bank. She becomes friendly with Bob who works as a cultural attache for the American Embassy. He is really a CIA officer. He discovers that the Viet Cong are poised to take Saigon. The ambassador refuses to believe him.

Lytlelton Theatre, National Theatre, London >>>

1988

-

Faber & Faber, London, 1988

-

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-

Play/Drama

2

4

-

-

tragedy and disaster for lovers and an evangelical, earnest husband

Cottesloe Theatre, National Theatre, London >>>

1995

-

Faber & Faber, London, 1995

-

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-

Play/Drama

2

1

-

-

Examination of matters of life, love and circumstance between an older man and a younger woman.

Hamstead Theatre Club, London

1970

-

Faber & Faber, London (Plays & Players June 1970), 1971

-

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-

Satire

-

3

-

-

an embattled contemporary morality play full of sardonic fun and spiky indignation

-

1990

-

Faber & Faber, London, 1989

-

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Screenplay

-

-

-

-

-

The story of two sisters whose lives are thrown into crisis by the effects of their unhappy love affairs

Olivier Theatre, National Theatre, London >>>

2004

National Theatre, London >>>

Faber & Faber, London, 2004

-

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-

Play/Drama

-

-

large cast

-

The famous response of Donald Rumsfeld, American Secretary of Defense, to the looting of Baghdad, at a press conference on 11 April 2003, provides the title for a new play, specially written for the Olivier Theatre, about the extraordinary process leading up to the invasion of Iraq. How does the world settle its differences, now there is only one superpower? What happens to leaders risking their credibility with sceptical publics? From events which have dominated international headlines for the last two years David Hare has fashioned both a historical narrative and a human drama about the frustrations of power and the limits of diplomacy.

Royal Court Theatre, London >>>

1975

-

Faber & Faber, London, 1976

-

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-

Play with Music

9

3

-

music by Nick Bicat, lyrics by Tony Bicat

a rock band visits Cambridge in 1969: the characters look back to the middle class transition of the fifties whilst the play looks back to the class reversal of the pop decade

Music Box Theatre, NY, USA >>>

2006

-

Faber & Faber, London, 2008

-

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-

Play/Drama

3

2

-

also published by Samuel French, Inc - New York, 2008 >>>

tells the story of a young American war reporter-turned-academic who travels abroad and finds herself caught in a most surprising romantic triangle, pulled between the affections of her lover and her lover's father.
nytheatre.com

Royal Court Theatre, London >>>

1998

-

Faber & Faber, London, 1998

-

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Polemic

-

1

-

-

Performed by the author

In 1997, after many invitations, the fifty year old playwright resolved finally to visit the fifty year old state of Israel. The play offers a mediation on the trip to Israel and Palestine which leaves hare questioning his own values as searchingly as the powerful beliefs of those he met.

Royal Court Theatre, London, EUR >>>

2009

-

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

Reading

-

1

-

-

-

a searching 40-minute study of the Israel/Palestine separation barrier which will one day stretch 486 miles and be over four times as long as the Berlin Wall  and in places, twice as high. The reading is directed by Stephen Daldry

-

1985

-

Faber & Faber, London, 1985

-

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Screenplay

-

-

-

-

-

In the winter of 1947 a young woman comes to London. She falls in with two different crowds: a literary set in Soho and a group of property dealers in Notting Hill. Janetta's attempt to reconcile these worlds ends in disaster

Royal Court Theatre Upstairs, London >>>

1970

Portable Theatre

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

-

One Act

-

-

-

-

Westminster Abbey, London

1996

-

Dean's Office, Kings College, London (Faber 1998 with Via Dolorosa), 1996

-

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Lecture

-

1

-

-

the eleventh Eric Symes Abbot Memorial Lecture

addresses questions of faith

Cottesloe Theatre, National Theatre, London >>>

1986

-

Faber & Faber, London, 1986

-

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Domestic 1 Act

One Act

1

2

-

-

Don't you remember there was only one bullet fired, it was a fully loaded gun and only one bullet was fired