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Last Updated: 18 May 11

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Titas Halder

TITAS HALDER   

Nationality:   n/a    Email:   n/a   Website:   n/a

Literary Agent:  n/a

Playwright Titas Halder is a former Literary Associate at the Finborough Theatre, following a spell as a Resident Assistant Director, where he directed Painting A Wall. As a playwright, he trained with the Royal Court Theatre's Critical Mass Programme. Jugantor is his first play. Titas is also currently Resident Assistant Director at the Donmar Warehouse and a Creative Associate at the Bush Theatre.

Plays by Titas Halder

Jugantor

1st Produced:

Finborough Theatre, 118 Finborough Road, London SW10 9ED >>>

05 Jun 2010

Company:

n/a

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#119342

To Buy This Play:

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Genre:

135 Min Play/Drama

Parts:

Male

-

Female

-

Parts other:

-

Notes:

-

Synopsis:

There are three women connected by blood and by history. Torn apart by a forgotten war, the family are forced together in the pursuit of reconciliation. As the women start to reconnect, the values and virtues of their freedom fighting heritage collide, and the spirits that haunt them break loose. Drawing from Hindu folk stories and superstition, Jugantor is a fierce comic drama about roots and redemption.

Further Reference:

-


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Splitshift

1st Produced:

reading, Finborough Theatre, 118 Finborough Road, London SW10 9ED >>>

21 Jul 2011

Company:

n/a

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#128166

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Play/Drama

Parts:

Male

-

Female

-

Parts other:

-

Notes:

part of Vibrant  A Festival of Finborough Playwrights 2011

Synopsis:

n/a

Further Reference:

-


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Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.