doollee banner
The Playwrights Database
contact doollee



Kelly Girod

KELLY GIROD  

Nationality:    n/a
email:    n/a     Website:    n/a

Literary Agent:    n/a


I do not have a biography of this Playwright. Please help doollee to become even more complete by sending me any information you have
thank you

Buy Plays with Doollee

Each page of doollee.com has links to play/book outlets, either directly to the Publisher, through Stageplays.com and Amazon to the second hand and 1st editions of AbeBooks. These links will automatically take you to the relevant area obviating the need for further search.
AbeBooks.co.uk   AbeBooks.com   Stageplays.com   amazon.com   amazon.co.uk   amazon.ca
whether you are a Playwright who wishes to make their entry definitive, an unlisted Playwright or a User with a tale to tell - we want to hear from you.
download WORD submission template

below is a list of Kelly Girod's plays - click on a Play Title for more information

Ambrosia         Fire This Time Festival, The         Gypsy Moth         Parabolas         Phases Of Matter



Ambrosia

Synopsis:
Set in a sleepy Southern town in the sweltering dead of summer, a life-long diabetic decides that she would rather eat cake
- nytheatre.com

Notes:
-

1st Produced:
The Red Room
85 East 4th Street, 3rd floor, New York, NY 10003    10 Aug 2011

Company:
-

1st Published:
-   -

Music:
-

To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
short play

Parts:
Male:  -            Female:  -            Other:  -

Further Reference:
-

Top of Page Top of Page

Fire This Time Festival, The

Synopsis:
-

Notes:
amid the diffusion of the term "post black black," in American society And Art, seven up-and-coming playwrights of African descent including Deborah Asiimwe, Radha Blank, Kelley Girod, Katori Hall, Derek Lee McPhatter, Germono Toussaint, And Pia Wilson have come together to Answer these questions. The Fire This Time Festival showcases new short plays As A special Black History Month offering At the Horse Trade Theater. The Festival explores the diverse possibilities of contemporary American drama And challenging new directions for 21st century black theatre.
- nytheatre.com

1st Produced:
The Red Room, NY, USA >>>    04 Feb 2010

Company:
Horse Trade Theatre Group

1st Published:
-   -

Music:
-

To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
short play

Parts:
Male:  -            Female:  -            Other:  -

Further Reference:
-

Top of Page Top of Page

Gypsy Moth

Synopsis:
-

Notes:
-

1st Produced:

Company:
Century Productions

1st Published:
-   -

Music:
-

To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
short impressionistic drama One act

Parts:
Male:  -            Female:  -            Other:  -

Further Reference:
-

Top of Page Top of Page

Parabolas

Synopsis:
-

Notes:
part of The Draft's 10 Minute Play Festival: Six Plays About Hope

1st Produced:

Company:
-

1st Published:
-   -

Music:
-

To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
Ten Min

Parts:
Male:  -            Female:  -            Other:  -

Further Reference:
-

Top of Page Top of Page

Phases Of Matter

Synopsis:
part of The Drafts Fest a the collaborative effort of seven playwrights, seven directors, and ten multifaceted actors. Playwrights receive randomly compiled cast lists and create stories tailored to The Drafts and their invited Guests based on this year's theme, Pre-Existing Condition.
- nytheatre.com

Notes:
-

1st Produced:

Company:
The Drafts

1st Published:
-   -

Music:
-

To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
short piece

Parts:
Male:  -            Female:  -            Other:  -

Further Reference:
-

Top of Page Top of Page









Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.