THOMAS GIBBONS
| Nationality: | n/a |
| Literary Agent: *: | |
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Plays by Thomas Gibbons
Bee-luther-hatchee |
| 1st Produced: | InterAct Theatre (Philadelphia, PA, United States) | 1999 | ||
| Company: | - | |||
| 1st Published: | Playscripts, Inc | 2002 | ||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||
| Genre: | - | Play/Drama | Parts: | Male | 2 | Female | 3 |
| Parts Other: | - | |||
Notes: Running time: 90-110 | ||||
Synopsis: Shelita Burns, an African-American editor, publishes Bee-luther-hatchee, the autobiography of a reclusive 72-year-old black woman named Libby Price. Shelita has never met Libby, and when the book wins a prestigious award she decides to deliver it to her in person. To her profound shock, the actual author of the book is a white man named Sean Leonard. Furious and resentful, Shelita accuses Sean of perpetrating a hoax, while he defends the book as a truthful work of imagination. Their confrontation, played out on the edge of the racial divide, builds to a jarring act of violence. | ||||
Black Russian |
| 1st Produced: | 1996 | |||
| Company: | - | |||
| 1st Published: | - | - | ||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com | |||
| Genre: | - | - | Parts: | Male | - | Female | - |
| Parts Other: | - | |||
Notes: - | ||||
Synopsis: | ||||
Exhibition, the |
| 1st Produced: | - | - | ||
| Company: | - | |||
| 1st Published: | Dramatists Play Service, NY | - | ||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||
| Genre: | Drama | One Act | Parts: | Male | 2 | Female | - |
| Parts Other: | - | |||
Notes: - | ||||
Synopsis: Centers on the interaction of two men; John Merrick (known as "The Elephant Man") and Sir Frederick Treves, the renowned physician who takes him under his protection. So horribly deformed that he must cover his face and body, Merrick is given shelter at London Hospital, after being abandoned by the ruthless showman who had put him on public display, and his friendship with Dr. Treves, who raises funds for his support, becomes the focus of his life. The action is comprised of parallel monologues, interspersed with scenes between the two men as Treves tries to bring a sense of concern and civility to Merrick's tragic existence, and, in turn, becomes increasingly aware of the deep intelligence and sensitivity which lie behind Merrick's grotesque exterior. The climax of their relationship comes when Merrick, who has never known true human love and contact, asks Treves to touch him, to hold him as a father would a sonbut the physician cannot bring himself to do so. It is a failure which foreshadows the end of Merrick's short life and, for Dr. Treves, remains a tortured, enduing memory which haunts him for the rest of his days. | ||||
Permanent Collection |
| 1st Produced: | InterAct Theatre (Philadelphia, PA, United States) | 2003 | ||
| Company: | - | |||
| 1st Published: | Playscripts, Inc. | 2005 | ||
| To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click, otherwise (below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies | |||
| Genre: | - | Play/Drama | Parts: | Male | 3 | Female | 3 |
| Parts Other: | 3 females, 3 males; Running time: 115-125 mins | |||
Notes: - | ||||
Synopsis: Soon after African-American businessman Sterling North becomes the new director of the Morris Foundation, he discovers that this world-famous art collection includes several significant African sculptures tucked away in storage. His proposal to add them to the public galleries is opposed by the foundation's long-time education director, who is loyal to the idiosyncratic wishes of the late Dr. Morris. Spurred on by a zealous local journalist, this clash quickly escalates to public accusations of racism and a bitter struggle for control of the collection. Permanent Collection is a searing examination of racial politics that ultimately asks how much space -- literally and figuratively -- the white world gives to African-Americans. What is the cost of failing to view the world through another's eyes? | ||||