MICHAEL GARDNER
| Nationality: | n/a |
| Literary Agent: *: | n/a |
| Email: | n/a |
| Website: | n/a |
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Plays by Michael Gardner
Kung Fu Importance of Being Earnest, The |
| 1st Produced: | Sellout festival, NY | 2006 | ||||
| Company: | - | |||||
| 1st Published: | - | ISBN/ASIN | - | |||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||||
| Genre: | - | Adaptation | Parts: | Male | - | Female | - |
| Parts Other: | - | |||||
| Notes: | Original Playwright - Oscar Wilde | |||||
| Synopsis: | unusual take on Oscar Wilde's classic comedy The Importance of Being Earnest. Two English gentlemen in the 1890s secretly use the name 'Ernest' in their double lives. . .until they fall for English ladies who cherish honesty. They settle their differences according to the ancient methods of the Shaolin monks. | |||||
Memoirs of My Nervous Illness |
| 1st Produced: | 2005 | |||||
| Company: | The Brick Theater, Inc. | |||||
| 1st Published: | - | ISBN/ASIN | - | |||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||||
| Genre: | - | - | Parts: | Male | - | Female | - |
| Parts Other: | - | |||||
| Notes: | Written by Daniel Paul Schreber; Adapted for stage by Michael Gardner | |||||
| Synopsis: | Daniel Schreber was a judge in the 1800s. He began to suffer delusions - he thought he was God and he thought he was turning into a woman. He was incarcerated. He kept a journal of his time in the asylum | |||||
Notes from Underground |
| 1st Produced: | FringeNYC Festival | 1999 | ||||
| Company: | - | |||||
| 1st Published: | - | ISBN/ASIN | - | |||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||||
| Genre: | - | Adaptation | Parts: | Male | 3 | Female | 2 |
| Parts Other: | - | |||||
| Notes: | adaptation of Dostoevysky's dark story | |||||
| Synopsis: | Notes from Underground is a five-part dramatic oratorio exploring the Underground Man's desperate masochism. Four actors voice both the character's inner critics and participants in his story. Robert Honeywell, performing Dostoyevsky's legendary anti-hero, returns their fire. Each line is timed to a complex soundtrack of Russian tavern songs and string quartets - press release | |||||