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Murphy Guyer
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Plays by Murphy Guyer

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American Century, The 
Eden Court 
Enchanted Maze, The 
Infinite Regress of Human Vanity, The 
Loyalties 
Metaphor, The 
Rendezvous With Reality 
World of Mirth 

Murphy Guyer     American Century, The
Company
Synopsis:

World War II has ended and Tom, just discharged from the Army, returns to his young wife, Margaret, full of hope and enthusiasm, and dreams of a bounteous future. But as they plan their life together they are joined by a brash young stranger who, to their amazement, proceeds to make himself very much at home. He is, he explains, one of the children they will have, and he fills them in so completely about their past and present livesand the future which awaits themthat Tom and Margaret soon find themselves moving from incredulity to panic. In the most casual, blithely humorous manner he tells of a world gone mad with space races, Watergate and the threat of atomic annihilation; of his siblings who have come to a variety of bad ends; and of Tom and Margaret's own descent into bankruptcy, booze, and pill-popping. Increasingly aghast as one horror is casually (and hilariously) piled on another, Tom rushes for the door, determined to escape before any of this can occur only to be pursued by his unloving but pragmatic son who suddenly realizes that without a father, his own existence, chancy as it may be, will never happen.
First Produced Humana Festival, Actors Theatre of Louisville, KY, USA >>>
First Published 20 One-Act Plays From 20 Years Of The Humana Festival, Edited by Michele Volansky and Michael Bigelow Dixon , Smith & Kraus
Genre A Joke In 1 Act
Parts Male
2
Female 1
Other
Notes
part of American Shorts

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Murphy Guyer     Eden Court
Company
Synopsis:

In a low-rent trailer park, Shroeder Duncan faces his 30th birthday frustrated by an elusive mouse, tormented by neighbourhood dogs, and embroiled in marital conflict with his Elvis-worshipping wife
First Produced 1982-83 Actors Theatre of Louisville, Humana Festival, KY, USA >>>
First Published TCG in Plays in Process.
Genre Two Acts
Parts Male
2
Female 2
Other
Notes

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Murphy Guyer     Enchanted Maze, The
Company
Synopsis:

First Produced 1990 Eugene O'Neill Theater Center, Waterford, CT, USA >>>
First Published
Genre
Parts Male
Female
Other
Notes

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Murphy Guyer     Infinite Regress of Human Vanity, The
Company
Synopsis:

First Produced 2001-02 Cleveland Play House, Ohio
First Published
Genre
Parts Male
Female
Other
Notes

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Murphy Guyer     Loyalties
Company
Synopsis:

First Produced 1984 Actors Theatre of Louisville, Humana Festival, KY, USA >>>
First Published 1989 in 25 Ten-Minute Plays from Actors Theatre of Louisville
Genre 10 min
Parts Male
2
Female 2
Other
Notes

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Murphy Guyer     Metaphor, The
Company
Synopsis:

When a strange interrogation is derailed by a prisoner's defiance, the interrogator pulls out all the stops - outrageous, absurd and theatrical. But the prisoner's resistance ultimately disrupts everything, even the performance
First Produced 1987-88 Actors Theatre of Louisville, Humana Festival, KY, USA >>>
First Published auth manuscript
Genre 1 Act
Parts Male
4
Female 1
Other
Notes

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Murphy Guyer     Rendezvous With Reality
Company
Synopsis:

First Produced 1995 Philidelphia, PA
First Published
Genre
Parts Male
Female
Other
Notes

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Murphy Guyer     World of Mirth
Company
Synopsis:

When the self-described "family" of the World of Mirth carnival hits a streak of bad weather and bad luck, their response is fearfully un-family-like. The play begins three days after Kaspar Kelly, the carnival owner, has forcibly retired Oscar the Frog Boy, a twenty-year veteran of the freak tent. At the time, Sweeney, the dunk-cage clown and Oscar's best friend, begged his fellow carnies to kick in a few dollars to help keep Oscar on the midway; but pleading poverty, they refused. That night Oscar committed suicide, a fact Sweeney will not let them forget. Empowered by his own indifference, an indifference born of booze, grief and a nagging doubt, Sweeney has turned the taunts and insults he normally reserves for "marks" against the carnies themselves. But what begins as gleeful ridicule turns to wanton vindictiveness when one of his more reckless antics leaves him bloodied and betrayed. With savage spite he sets out to punish and destroy the entire carnival by exposing its every lie and self-delusion. At one point his embittered cynicism prompts him to deny even the existence of love itself. But ultimately it is loveblind, passionate, desperate love, that destroys him.
First Produced 2001 Theatre Four, Off Broadway, NY
First Published 2002 Dramatist Play Service, NY
Genre Black Comedy
Parts Male
7
Female 2
Other
Notes

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