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Murphy Guyer
American Century, The
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| Company |
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Synopsis:
World War II has ended and Tom, just discharged from the Army, returns to his young wife, Margaret, full of hope and enthusiasm, and dreams of a bounteous future. But as they plan their life together they are joined by a brash young stranger who, to their amazement, proceeds to make himself very much at home. He is, he explains, one of the children they will have, and he fills them in so completely about their past and present livesand the future which awaits themthat Tom and Margaret soon find themselves moving from incredulity to panic. In the most casual, blithely humorous manner he tells of a world gone mad with space races, Watergate and the threat of atomic annihilation; of his siblings who have come to a variety of bad ends; and of Tom and Margaret's own descent into bankruptcy, booze, and pill-popping. Increasingly aghast as one horror is casually (and hilariously) piled on another, Tom rushes for the door, determined to escape before any of this can occur only to be pursued by his unloving but pragmatic son who suddenly realizes that without a father, his own existence, chancy as it may be, will never happen.
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| First Produced |
Humana Festival, Actors Theatre of Louisville, KY, USA >>>
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| First Published |
20 One-Act Plays From 20 Years Of The Humana Festival, Edited by Michele Volansky and Michael Bigelow Dixon , Smith & Kraus
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| Genre |
A Joke In 1 Act
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| Parts |
Male
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2
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| Female
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1
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| Other
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Notes
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part of American Shorts
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Murphy Guyer
Eden Court
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Synopsis:
In a low-rent trailer park, Shroeder Duncan faces his 30th birthday frustrated by an elusive mouse, tormented by neighbourhood dogs, and embroiled in marital conflict with his Elvis-worshipping wife
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| First Produced |
1982-83 Actors Theatre of Louisville, Humana Festival, KY, USA >>>
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| First Published |
TCG in Plays in Process.
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| Genre |
Two Acts
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| Parts |
Male
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2
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| Female |
2
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| Other |
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Notes
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Murphy Guyer
Infinite Regress of Human Vanity, The
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| First Produced |
2001-02 Cleveland Play House, Ohio
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| First Published |
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| Genre |
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| Parts |
Male
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| Female |
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| Other |
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Notes
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Murphy Guyer
Metaphor, The
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Synopsis:
When a strange interrogation is derailed by a prisoner's defiance, the interrogator pulls out all the stops - outrageous, absurd and theatrical. But the prisoner's resistance ultimately disrupts everything, even the performance
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| First Produced |
1987-88 Actors Theatre of Louisville, Humana Festival, KY, USA >>>
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| First Published |
auth manuscript
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| Genre |
1 Act
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| Parts |
Male
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4
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| Female |
1
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| Other |
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Notes
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Murphy Guyer
Rendezvous With Reality
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| First Produced |
1995 Philidelphia, PA
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| First Published |
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Male
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| Other |
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Notes
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Murphy Guyer
World of Mirth
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Synopsis:
When the self-described "family" of the World of Mirth carnival hits a streak of bad weather and bad luck, their response is fearfully un-family-like. The play begins three days after Kaspar Kelly, the carnival owner, has forcibly retired Oscar the Frog Boy, a twenty-year veteran of the freak tent. At the time, Sweeney, the dunk-cage clown and Oscar's best friend, begged his fellow carnies to kick in a few dollars to help keep Oscar on the midway; but pleading poverty, they refused. That night Oscar committed suicide, a fact Sweeney will not let them forget. Empowered by his own indifference, an indifference born of booze, grief and a nagging doubt, Sweeney has turned the taunts and insults he normally reserves for "marks" against the carnies themselves. But what begins as gleeful ridicule turns to wanton vindictiveness when one of his more reckless antics leaves him bloodied and betrayed. With savage spite he sets out to punish and destroy the entire carnival by exposing its every lie and self-delusion. At one point his embittered cynicism prompts him to deny even the existence of love itself. But ultimately it is loveblind, passionate, desperate love, that destroys him.
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| First Produced |
2001 Theatre Four, Off Broadway, NY
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| First Published |
2002 Dramatist Play Service, NY
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| Genre |
Black Comedy
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| Parts |
Male
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7
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| Female |
2
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| Other |
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Notes
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aims to list every play written or produced in English since 1956.
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