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Elizabeth Fuller

ELIZABETH FULLER  

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Literary Agent:    n/a


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below is a list of Elizabeth Fuller's plays - click on a Play Title for more information

 Full Hookup         Me And Jezebel         Smitty's News         Tangents

Full Hookup

Synopsis:
The play is set in Omaha in 1980. Ric, in his late twenties, delivers pizza, writes mangled poetry, drinks too much and loves his wife. His obsessive jealousy drives Beth to temporary refuge in her mother's home, where he follows for a clumsy confrontation. Beth's last desperate effort to touch Ric provokes him to awkward, befuddled violence. Her mother finds her dead. But the play's focus is on the mother, Rosie, a bookkeeper in her fifties. Once the victim of an alcoholic, abusive marriage, she now carries on a liaison with Les, an affable used car dealer who had helped her through hard times, joked her out of depressions, but who won't divorce his wife. She clings to religion, then numerology, groping for something to believe in. She finds it in Beth's death, coming by degrees to an overwhelming faith in Ric's innocence. Fabricating her own reality, she ejects Les, gets herself fired, hires a lawyer for Ric and lies at the trial, slandering her daughter to obtain his acquittal. Not even his blunt statement

Notes:
written with Conrad Bishop

1st Produced:

Company:
-

1st Published:
Dramatists Play Service, NY,    -

Music:
-

To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
Two acts Play/Drama

Parts:
Male:  2            Female:  3            Other:  -

Further Reference:
-

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Me And Jezebel

Synopsis:
It all starts when a mutual friend brings Bette Davis to Elizabeth Fuller's house for dinner. Davis calls the next day to thank Elizabeth for the lovely dinner (although the chicken was a bit raw), and to ask if she could possibly impose and stay with her for a couple of days (no more than three) while a hotel strike runs its course in New York. Fuller, a life-long fan, can hardly refuse. But trouble soon begins as Davis arrives with a station wagon full of belongings and, moves right in. Davis quickly dominates the lives of Elizabeth, her husband, John, and their young son, Christopher, who begins imitating Davis' tones and, worse, her language; as does Elizabeth, who desperately wants to form a real friendship with her idol. Elizabeth tells Davis stories of how she and her grandmother used to go to Davis' double features and write her fan letters. Oblivious to the Fuller family, Davis decides what they will have for dinner, when they will go to the beach and speaks her mind on everything from child-rearing and spiritualism to Paul Newman and, of course, Joan Crawford. as the days progress it becomes clear that Davis thrives on conflict and high tension, and that she is only truly happy when she is stirring things up. The month vacillates between highs-watching JEZEBEL on the late movie together-and lows-when John threatens to move out if Davis doesn't leave. Then, on the thirty-second day of her stay, the hotel strike ends, and Davis departs as quickly as she arrived. But she leaves behind a gracious thank you letter and, as Bette Davis herself might have said, one hell of a good story. NOTE: Both the one and two-person version are included in a single volume.

Notes:
-

1st Produced:
-    -

Company:
-

1st Published:
Dramatists Play Service, NY,    -

Music:
-

To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
Comedy

Parts:
Male:  1            Female:  2            Other:  1 woman or 2 women (or 1 man, 1 woman)

Further Reference:
-

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Smitty's News

Synopsis:
a divorced mother is forced to confront her troubled past when she tries to prosecute the two boys who beat and raped her teenage daughter in this portrait of the violence that permeates modern society

Notes:
written with Conrad Bishop

1st Produced:

Company:
-

1st Published:
-   -

Music:
-

To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
Two acts Play/Drama

Parts:
Male:  5            Female:  4            Other:  -

Further Reference:
-

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Tangents

Synopsis:
a drama set and performed in a real working cafe. This is an invite for you to eavesdrop - you're allowed! We're a theatre company for the community with young actors drawn from all over Clackmannanshire. -- Stories reflecting young people's lives as experienced today. Both serious and humerous, of friendships won and lost.

Notes:
written by Elizabeth Fuller And Tom Murray

1st Produced:

Company:
Clax Youth Theatre

1st Published:
-   -

Music:
-

To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
drama, site-specific

Parts:
Male:  -            Female:  -            Other:  -

Further Reference:
-

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Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.